𐑑𐑼𐑹𐑯𐑕𐑒𐑼đ‘Čđ‘šđ‘Œâ€™đ‘Ÿ 𐑯𐑮𐑑

𐑞𐑰𐑟 𐑾 𐑄đ‘Č 𐑮𐑯 đ‘‘đ‘źđ‘šđ‘Żđ‘•đ‘’đ‘źđ‘Šđ‘đ‘–đ‘©đ‘Żđ‘Ÿ 𐑝 𐑞 𐑒𐑱đ‘čđ‘‘đ‘Œđ‘€đ‘Š 𐑥𐑻𐑯𐑩𐑀 â€˜Â·đ‘–đ‘·-𐑕𐑒𐑼𐑩𐑐𐑑’, 𐑚đ‘Č ·𐑟đ‘Ș𐑯𐑩𐑀𐑛 đ‘’đ‘Šđ‘™đ‘Ÿđ‘€đ‘Š 𐑼𐑧𐑛, 𐑞 𐑛𐑩𐑟đ‘Čđ‘Żđ‘Œ 𐑝 𐑞 Â·đ‘–đ‘±đ‘đ‘Ÿđ‘Ż 𐑚𐑀𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛đ‘Șđ‘’đ‘˜đ‘©đ‘„đ‘©đ‘Żđ‘‘đ‘• 𐑹𐑻 𐑛𐑏𐑯𐑀𐑎𐑛𐑩𐑛 𐑓𐑼đ‘Ș𐑄 shavian.info. 𐑚𐑩𐑒đ‘Ș𐑟 𐑞 𐑑đ‘Č𐑐𐑟𐑊𐑑𐑩𐑯 𐑕𐑒𐑹𐑯𐑟 𐑾 𐑛𐑊𐑓𐑊𐑒𐑩𐑀𐑑 𐑑 𐑼𐑰𐑛 𐑩𐑯 đ‘đ‘€đ‘±đ‘•đ‘©đ‘Ÿ, đ‘Č 𐑚𐑄 𐑑𐑼𐑹𐑯𐑕𐑒𐑼đ‘Č𐑚𐑩𐑙 𐑯 𐑐𐑳𐑚𐑀𐑊𐑖𐑊𐑙 𐑞𐑧𐑄 đ‘Łđ‘œ 𐑩𐑯 𐑊𐑯𐑕𐑑𐑷𐑀𐑄𐑩𐑯𐑑𐑕 𐑹𐑟 đ‘Č 𐑒𐑩𐑄𐑐𐑀𐑰𐑑 𐑞𐑧𐑄. đ‘Č 𐑣𐑮𐑐 𐑞𐑹𐑑 𐑞𐑱 𐑄𐑱 𐑩𐑯𐑒𐑼𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑊𐑀𐑊𐑑𐑊 𐑝 𐑞𐑰𐑟 𐑣𐑩𐑕𐑑đ‘Ș𐑼𐑩𐑒 𐑼𐑧𐑒đ‘č𐑛𐑟.

đ‘Č 𐑣𐑹𐑝 𐑳𐑐𐑛𐑱𐑑𐑩𐑛 𐑕𐑐𐑧𐑀𐑊𐑙 𐑩𐑯 𐑕𐑊𐑀𐑧𐑒𐑑 đ‘đ‘€đ‘±đ‘•đ‘©đ‘Ÿ 𐑱đ‘ș đ‘Č 𐑕𐑩𐑕𐑐𐑧𐑒𐑑 đ‘§đ‘źđ‘Œ đ‘č 𐑱đ‘ș đ‘Č đ‘—đ‘”đ‘Ÿ 𐑑 𐑓đ‘Ș𐑀𐑎 𐑞 𐑊𐑒𐑕𐑑𐑧𐑯𐑛𐑩𐑛 ·𐑟𐑰𐑛-𐑀𐑧𐑒𐑕 đ‘•đ‘‘đ‘šđ‘Żđ‘›đ‘Œđ‘› 𐑹𐑟 𐑊𐑄𐑐𐑀𐑊𐑄𐑧𐑯𐑑𐑩𐑛 𐑚đ‘Č 𐑞 ·𐑖𐑷-𐑕𐑐𐑧𐑀 𐑑𐑔𐑀 𐑓𐑼đ‘Ș𐑄 ·𐑥đ‘č𐑮. đ‘Œđ‘Šđ‘Ąđ‘Šđ‘Żđ‘©đ‘€ đ‘•đ‘đ‘§đ‘€đ‘Šđ‘™đ‘Ÿ 𐑾 đ‘đ‘źđ‘Šđ‘Ÿđ‘»đ‘đ‘› 𐑩𐑯 𐑞 𐑓𐑫𐑑𐑯𐑎𐑑𐑕.

𐑞 đ‘Œđ‘Šđ‘Ąđ‘Šđ‘Żđ‘©đ‘€ 𐑊𐑖𐑔 𐑱𐑳𐑯 𐑒𐑹𐑯 𐑚𐑰 𐑛𐑏𐑯𐑀𐑎𐑛𐑩𐑛 đ‘Łđ‘œ.

·𐑖𐑷-𐑕𐑒𐑼𐑩𐑐𐑑

A SHAGGY TALE1

ORVILLE L. WELLER

𐑚𐑹𐑒 𐑩𐑯 𐑞 𐑚𐑹𐑛 đ‘›đ‘±đ‘Ÿ 𐑚𐑩𐑓đ‘č Â·đ‘•đ‘Šđ‘đ‘Šđ‘€đ‘Čđ‘Ÿđ‘±đ‘–đ‘©đ‘Ż2 𐑒𐑱𐑄 𐑑 ·𐑚𐑓𐑟𐑊𐑒𐑩, 𐑩𐑯 𐑞 đ‘›đ‘±đ‘Ÿ 𐑝 𐑔đ‘č𐑯𐑹𐑫𐑛 đ‘•đ‘đ‘œđ‘Ÿ 𐑯 𐑞 𐑧𐑀𐑊𐑓𐑩𐑯𐑑-𐑣đ‘Č𐑛3 𐑖𐑰𐑀𐑛, 𐑞đ‘ș 𐑹𐑻 𐑑𐑔 𐑑𐑼đ‘Č𐑚𐑟 đ‘€đ‘Šđ‘đ‘Šđ‘™ 𐑩𐑯 𐑞 𐑣đ‘Č 𐑐𐑀𐑚𐑑𐑎 𐑒𐑳𐑯𐑑𐑼𐑩 𐑹𐑑 𐑞 đ‘Łđ‘§đ‘›đ‘ąđ‘·đ‘‘đ‘Œđ‘Ÿ 𐑝 𐑞 ·𐑒đ‘Ș𐑙𐑜𐑮: 𐑞 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕 𐑯 𐑞 Â·đ‘„đ‘Źđ‘€đ‘”đ‘Ÿ.

𐑞𐑩𐑕 𐑱đ‘Ș𐑟 𐑀đ‘Ș𐑙 𐑚𐑩𐑓đ‘č 𐑞 𐑑đ‘Č𐑄 𐑱𐑧𐑯4 𐑞 Â·đ‘šđ‘§đ‘€đ‘Ąđ‘©đ‘Żđ‘Ÿ 𐑒𐑱𐑄 𐑑 ·𐑚𐑓𐑟𐑊𐑒𐑩 𐑑 𐑑𐑰𐑗 𐑞 đ‘Żđ‘±đ‘‘đ‘Šđ‘ 𐑑𐑼đ‘Čđ‘šđ‘Ÿđ‘„đ‘©đ‘Ż5 𐑣𐑬 𐑑 đ‘€đ‘Šđ‘ 𐑩𐑯 𐑐𐑰𐑕 𐑯 𐑐𐑀𐑧𐑯𐑑𐑊: 𐑕𐑮 𐑞 𐑑𐑼đ‘Č𐑚𐑟 𐑓𐑷𐑑. 𐑞𐑱 𐑓𐑷𐑑 đ‘Žđ‘đ‘Œ 𐑣𐑔 𐑒𐑫𐑛 đ‘đ‘šđ‘•đ‘—đ‘Œ 𐑒𐑚𐑑𐑩𐑀 đ‘Ș𐑯 𐑞 𐑚𐑧𐑕𐑑 𐑜𐑼𐑭𐑕6 𐑩𐑀đ‘Ș𐑙 𐑞 đ‘źđ‘Šđ‘đ‘Œ, 𐑣𐑔 𐑒𐑫𐑛 𐑣𐑳𐑯𐑑 𐑚𐑳𐑓𐑩𐑀𐑎 đ‘Ș𐑯 𐑞 𐑕𐑀𐑎𐑐𐑕 𐑝 ·𐑄𐑏𐑯𐑑 ·𐑒𐑞𐑊𐑕𐑊𐑄𐑚𐑊7, 𐑣𐑔 𐑒𐑫𐑛 𐑓𐑩𐑖 𐑩𐑯 ·𐑀𐑱𐑒 Â·đ‘’đ‘°đ‘đ‘”8. 𐑞𐑰𐑟 𐑹𐑻 𐑞 đ‘źđ‘§đ‘œđ‘˜đ‘«đ‘€đ‘Œ 𐑓đ‘Č𐑑𐑕, 𐑞 𐑚𐑩𐑜 𐑓đ‘Č𐑯 𐑓đ‘Č𐑑𐑕 𐑱𐑩𐑞 𐑟𐑊𐑀𐑊𐑥𐑩𐑕 đ‘šđ‘€đ‘§đ‘•đ‘Šđ‘™đ‘Ÿ. 𐑞𐑧𐑯 𐑞đ‘ș 𐑹𐑻 𐑳𐑯𐑩𐑓𐑊𐑖𐑩𐑀 𐑓đ‘Č𐑑𐑕 đ‘Žđ‘đ‘Œ 𐑕𐑄𐑷𐑀 đ‘„đ‘šđ‘‘đ‘Œđ‘Ÿ, 𐑀đ‘Č𐑒 𐑣𐑔 𐑒𐑊𐑀𐑛 đ‘Łđ‘”đ‘Ÿ 𐑒𐑬, 𐑣𐑔 𐑕𐑑𐑎𐑀 đ‘Łđ‘”đ‘Ÿ 𐑱đ‘Č𐑓, 𐑯 𐑣𐑔 𐑑𐑟𐑚𐑄𐑐𐑩𐑀𐑛 đ‘Łđ‘”đ‘Ÿ 𐑒đ‘č𐑯.

𐑩𐑯 𐑷𐑀 𐑞𐑰𐑟 𐑓đ‘Č𐑑𐑕, 𐑚𐑩𐑜 đ‘č 𐑀𐑊𐑑𐑩𐑀, 𐑞 Â·đ‘„đ‘Źđ‘€đ‘”đ‘Ÿ 𐑹𐑻 𐑒𐑳𐑄𐑊𐑙 𐑬𐑑 𐑕𐑧𐑒𐑩𐑯𐑛 𐑚𐑧𐑕𐑑. 𐑞 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕 𐑹𐑻 𐑜𐑧𐑑𐑩𐑙 𐑷𐑀 𐑞 𐑚𐑧𐑕𐑑 đ‘đ‘šđ‘•đ‘—đ‘Œđ‘Ÿ, 𐑞 𐑚𐑧𐑕𐑑 𐑣𐑳𐑯𐑑𐑩𐑙 𐑜𐑼𐑬𐑯𐑛𐑟, 𐑞 𐑚𐑧𐑕𐑑 𐑓𐑩𐑖𐑩𐑙 đ‘•đ‘‘đ‘źđ‘°đ‘„đ‘Ÿ, 𐑞 𐑚𐑧𐑕𐑑 𐑚𐑰 𐑑𐑼𐑰𐑟. 𐑹𐑻𐑕𐑑 𐑝 𐑷𐑀, 𐑞 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕 𐑹𐑻 𐑚𐑰𐑑𐑩𐑙 𐑞đ‘ș đ‘›đ‘źđ‘łđ‘„đ‘Ÿ 𐑷𐑀 𐑞 𐑹𐑱 𐑓𐑼đ‘Ș𐑄 𐑞 đ‘Łđ‘Šđ‘€đ‘Ÿ 𐑝 Â·đ‘żđ‘œđ‘šđ‘Żđ‘›đ‘© 𐑑 𐑞 𐑓đ‘Ș𐑟𐑩𐑕𐑑𐑕 𐑝 ·𐑀𐑎𐑄𐑭𐑄𐑊9, 𐑑 𐑕𐑱 𐑞𐑱 𐑹𐑻 𐑞 𐑚𐑩𐑜 𐑄𐑧𐑯, 𐑞 𐑚𐑩𐑜, 𐑚𐑩𐑜 𐑄𐑧𐑯.

𐑞 Â·đ‘„đ‘Źđ‘€đ‘”đ‘Ÿ 𐑑𐑼đ‘Č𐑛 𐑓𐑻𐑕𐑑 𐑱𐑳𐑯 𐑔𐑩𐑙 𐑯 𐑞𐑧𐑯 đ‘©đ‘Żđ‘łđ‘žđ‘Œ 𐑑 𐑗𐑱𐑯𐑥 𐑞đ‘ș 𐑀𐑳𐑒. 𐑞𐑱 𐑗𐑱𐑯𐑥𐑛 𐑱đ‘č-𐑐𐑱𐑯𐑑 𐑓𐑼đ‘Ș𐑄 𐑱đ‘Č𐑑10 𐑑 đ‘đ‘Œđ‘„đ‘Šđ‘€đ‘˜đ‘©đ‘Ż, 𐑞𐑱 𐑟𐑚𐑑𐑩𐑀𐑛 𐑞đ‘ș đ‘•đ‘đ‘œđ‘Ÿ đ‘©đ‘œđ‘§đ‘Żđ‘•đ‘‘ 𐑞 𐑑𐑼𐑰𐑟, 𐑞𐑱 𐑕𐑒𐑼𐑰𐑗𐑑 𐑯 𐑛𐑹𐑯𐑕𐑑 𐑯 𐑯𐑹𐑖𐑑 𐑞đ‘ș 𐑑𐑰𐑔; 𐑚𐑳𐑑 𐑞𐑱 𐑕𐑑𐑊𐑀 𐑒𐑫𐑛𐑩𐑯𐑑 𐑱𐑩𐑯 𐑓đ‘Č𐑑𐑕 𐑱𐑩𐑞 𐑞 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕.

𐑱𐑧𐑯11 𐑔𐑩𐑙𐑟 𐑒𐑫𐑛𐑩𐑯𐑑 𐑜𐑧𐑑 𐑹𐑻𐑕, ·𐑚đ‘Ș𐑙𐑜𐑮𐑡đ‘č𐑩12, ·𐑗𐑰𐑓 𐑝 𐑞 Â·đ‘„đ‘Źđ‘€đ‘”đ‘Ÿ, 𐑒𐑷𐑀𐑛 𐑣𐑩𐑟 đ‘§đ‘€đ‘›đ‘Œđ‘Ÿ đ‘‘đ‘©đ‘œđ‘§đ‘žđ‘Œ13 𐑩𐑯 𐑞 𐑀𐑊𐑑𐑩𐑀 𐑜𐑼𐑹𐑕 𐑖𐑹𐑒 𐑞𐑱 𐑿𐑟𐑛 𐑹𐑟 𐑞đ‘ș ·𐑒𐑏𐑯𐑕𐑩𐑀 𐑣𐑬𐑕. 𐑯 ·𐑚đ‘Ș𐑙𐑜𐑮𐑡đ‘č𐑩 — ·𐑚đ‘Ș𐑙𐑜𐑮, 𐑓 𐑖đ‘č𐑑 — 𐑀𐑫𐑒𐑑 đ‘šđ‘Šđ‘‘đ‘Œđ‘€đ‘Š 𐑹𐑑 𐑣𐑩𐑟 𐑣𐑧𐑛 𐑄𐑧𐑯 𐑯 𐑚𐑩𐑜𐑹𐑯 𐑑 𐑑𐑷𐑒. 𐑣𐑰 𐑑𐑷𐑒𐑑 𐑓 𐑩 𐑛𐑱 𐑯 𐑩 𐑯đ‘Č𐑑14, 𐑯 𐑞𐑩𐑕 𐑩𐑟 𐑱đ‘Ș𐑑15 𐑣𐑰 𐑕𐑧𐑛: “𐑿 𐑒𐑷𐑀 𐑘đ‘čđ‘•đ‘§đ‘€đ‘đ‘Ÿ16 𐑄𐑧𐑯 𐑝 𐑞 ·𐑄𐑏𐑀𐑔. 𐑿 𐑾 𐑯đ‘Ș𐑑 𐑄𐑧𐑯: 𐑿 𐑾 𐑱𐑩𐑐𐑑17 𐑛đ‘Ș𐑜𐑟. 𐑿 𐑾 𐑹𐑻𐑕: 𐑿 𐑾 đ‘Ąđ‘šđ‘’đ‘©đ‘€đ‘Ÿ18. đ‘Ąđ‘šđ‘’đ‘©đ‘€đ‘Ÿ 𐑛𐑔 𐑯đ‘Ș𐑑 𐑱đ‘ș 𐑒𐑬-𐑛𐑳𐑙 𐑩𐑯 𐑞đ‘ș 𐑣đ‘ș. 𐑎𐑯𐑀𐑊 đ‘šđ‘źđ‘±đ‘đ‘Ÿ 𐑱đ‘ș 𐑛𐑳𐑙 𐑩𐑯 𐑞đ‘ș 𐑣đ‘ș, 𐑕𐑮 𐑒𐑎𐑄 𐑩𐑑 𐑓𐑼đ‘Ș𐑄 𐑘đ‘č19 𐑣𐑧𐑛𐑟. 𐑀𐑧𐑑 𐑯𐑳𐑯 𐑱đ‘ș 𐑒𐑬-𐑛𐑳𐑙 𐑩𐑯𐑑𐑊𐑀 𐑣𐑰 𐑣𐑹𐑟 𐑱𐑳𐑯 𐑚𐑹𐑒 đ‘Șđ‘Żđ‘Œ 𐑹𐑟 𐑩 𐑄𐑚𐑯, 𐑚đ‘Č 𐑛𐑼đ‘Č𐑝𐑩𐑙 𐑞 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕 𐑬𐑑 𐑝 đ‘Źđ‘Œ đ‘€đ‘šđ‘Żđ‘›đ‘Ÿ.”

𐑯 𐑕𐑮 𐑩𐑑 𐑒𐑱𐑄 𐑑 𐑐𐑹𐑕. 𐑚đ‘Č ·𐑗𐑰𐑓20 ·𐑚đ‘Ș𐑙𐑜𐑮’𐑟 đ‘čđ‘›đ‘Œ, 𐑞 ·𐑄𐑏𐑀𐑔 𐑯𐑮 𐑀đ‘Șđ‘™đ‘œđ‘Œ 𐑱đ‘č 𐑒𐑬-𐑛𐑳𐑙. 𐑞𐑩𐑕 𐑱đ‘Ș𐑟 𐑩 đ‘•đ‘œđ‘Ÿđ‘• 𐑚𐑀𐑎 𐑑 𐑞đ‘ș 𐑝𐑹𐑯𐑩𐑑𐑩, 𐑓 ·𐑄𐑏𐑀𐑔 𐑒𐑬-𐑛𐑳𐑙 𐑣𐑹𐑛 𐑩 𐑕𐑧𐑯𐑑 𐑯𐑮𐑯 𐑓𐑾 𐑯 𐑱đ‘Č𐑛, 𐑯 ·𐑄𐑏𐑀𐑔 đ‘„đ‘±đ‘€đ‘Ÿ 𐑣𐑹𐑛 𐑜𐑼𐑮𐑯 𐑑 đ‘€đ‘łđ‘ 𐑩𐑑.

𐑚𐑳𐑑 𐑞𐑱 𐑕𐑔𐑯 đ‘“đ‘Œđ‘œđ‘Ș𐑑 𐑞𐑩𐑕 đ‘›đ‘§đ‘đ‘źđ‘Šđ‘đ‘±đ‘–đ‘©đ‘Ż. 𐑓 𐑷𐑀𐑄𐑎𐑕𐑑 đ‘Šđ‘„đ‘°đ‘›đ‘Ÿđ‘‘đ‘€đ‘Š 𐑞𐑱 𐑕𐑑𐑞𐑑𐑩𐑛 𐑑 𐑱𐑩𐑯 𐑓đ‘Č𐑑𐑕. 𐑞đ‘ș đ‘źđ‘±đ‘›đ‘Ÿ 𐑹𐑻 𐑕𐑩𐑒𐑕𐑧𐑕𐑓𐑩𐑀. 𐑞𐑱 𐑹𐑻 𐑱𐑩𐑯𐑩𐑙 𐑚𐑹𐑒 𐑞đ‘ș 𐑒𐑬𐑟 𐑯 𐑞đ‘ș 𐑹𐑊𐑄𐑊𐑯. 𐑞𐑱 𐑒𐑫𐑛 𐑛𐑔 𐑕𐑳𐑄𐑔𐑊𐑙 đ‘Żđ‘§đ‘đ‘Œ 𐑛𐑳𐑯 𐑚𐑩𐑓đ‘č: 𐑞𐑱 𐑒𐑫𐑛 𐑒𐑼𐑰𐑐 𐑳𐑐 đ‘Ș𐑯 𐑞 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕 𐑱𐑩𐑞𐑬𐑑 𐑞 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕 𐑕𐑧𐑯𐑑𐑩𐑙 𐑞𐑱 𐑹𐑻 𐑞đ‘ș.

𐑞 Â·đ‘„đ‘Źđ‘€đ‘”đ‘Ÿ 𐑹𐑻 𐑕𐑮 đ‘Žđ‘đ‘Œđ‘Ąđ‘¶đ‘› 𐑚đ‘Č 𐑞𐑩𐑕 𐑑𐑻𐑯 𐑝 𐑩𐑝𐑧𐑯𐑑𐑕 𐑞𐑹𐑑 𐑞𐑱 𐑜đ‘Ș𐑑 𐑛𐑼𐑳𐑙𐑒 𐑯 𐑛𐑩𐑕đ‘Č𐑛𐑩𐑛 𐑑 𐑚𐑊𐑀𐑛 𐑞đ‘ș 𐑗𐑰𐑓 𐑩 𐑔𐑼𐑮𐑯 𐑄𐑱𐑛 𐑝 𐑕𐑑𐑮𐑯 𐑑 𐑛𐑔 𐑣𐑊𐑄 đ‘Șđ‘Żđ‘Œ 𐑯 𐑑 𐑕𐑧𐑀𐑩𐑚𐑟𐑱𐑑 𐑞 𐑗𐑱𐑯𐑥 𐑩𐑯 𐑞đ‘ș 𐑀𐑳𐑒. 𐑯 𐑱𐑧𐑯21 𐑞 𐑔𐑼𐑮𐑯 𐑱đ‘Ș𐑟 𐑓𐑩𐑯𐑩𐑖𐑑, 𐑞𐑱 𐑚𐑊𐑀𐑑 𐑩 𐑚𐑩𐑜 𐑯𐑿 𐑜𐑼𐑭𐑕 𐑒𐑏𐑯𐑕𐑩𐑀 𐑣𐑬𐑕 𐑓 𐑞 𐑔𐑼𐑮𐑯 𐑯 𐑐𐑀𐑱𐑕𐑑 𐑩𐑑 𐑞đ‘ș 𐑓 𐑗𐑰𐑓 ·𐑚đ‘Ș𐑙𐑜𐑮 𐑑 𐑕𐑩𐑑 𐑩𐑐đ‘Ș𐑯.

𐑯𐑬 ·𐑚đ‘Ș𐑙𐑜𐑮 𐑕𐑮 đ‘€đ‘łđ‘đ‘› 𐑣𐑩𐑟 𐑕𐑑𐑮𐑯 𐑔𐑼𐑮𐑯 𐑞𐑹𐑑 𐑣𐑰 𐑔𐑷𐑑 𐑳𐑐 𐑷𐑀 𐑒đ‘Č𐑯𐑛𐑟 𐑝 đ‘Šđ‘’đ‘•đ‘’đ‘żđ‘Ÿđ‘©đ‘Ÿ 𐑑 𐑚𐑰 𐑕𐑰𐑯 𐑕𐑰𐑑𐑩𐑛 𐑞đ‘ș. 𐑄đ‘č𐑯𐑩𐑙 đ‘šđ‘“đ‘‘đ‘Œ 𐑄đ‘č𐑯𐑩𐑙 𐑣𐑰 𐑕𐑳𐑄𐑩𐑯𐑛 𐑣𐑩𐑟 𐑱đ‘Șđ‘źđ‘œđ‘Ÿ 𐑑 𐑞 ·𐑒𐑏𐑯𐑕𐑩𐑀 𐑣𐑬𐑕 𐑑 𐑐𐑀𐑚𐑯 𐑯𐑿 đ‘źđ‘±đ‘›đ‘Ÿ đ‘Ș𐑯 𐑞 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕. đ‘šđ‘“đ‘‘đ‘Œ 𐑕𐑳𐑄 𐑄𐑳𐑯𐑔𐑕 𐑝 𐑞𐑩𐑕, 𐑞 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕 𐑣𐑹𐑛 𐑣𐑹𐑛 𐑩𐑯𐑳𐑓. 𐑞𐑱 𐑐𐑹𐑒𐑑 𐑳𐑐 𐑯 𐑝𐑹𐑯𐑩𐑖𐑑. 𐑯 𐑞 Â·đ‘„đ‘Źđ‘€đ‘”đ‘Ÿ 𐑣𐑹𐑛 𐑞 𐑀𐑚𐑯𐑛 𐑑 đ‘žđ‘§đ‘„đ‘•đ‘§đ‘€đ‘đ‘Ÿ 𐑓𐑼đ‘Ș𐑄 𐑞 𐑚𐑹𐑙𐑒𐑕 𐑝 𐑞 đ‘œđ‘źđ‘±đ‘‘ đ‘źđ‘Šđ‘đ‘Œ 𐑑 𐑞 đ‘•đ‘łđ‘žđ‘Œđ‘Ż 𐑕𐑀𐑎𐑐𐑕 𐑝 ·𐑄𐑏𐑯𐑑 ·𐑒đ‘Ș𐑟𐑩𐑕𐑊𐑄𐑚𐑩.

𐑯 𐑯𐑬 Â·đ‘„đ‘Źđ‘€đ‘”đ‘Ÿ 𐑹𐑻 𐑞 𐑚𐑩𐑜 𐑄𐑧𐑯: 𐑚𐑩𐑜, 𐑚𐑩𐑜 𐑄𐑧𐑯, đ‘šđ‘Šđ‘œđ‘Œ 𐑚đ‘Č 𐑓𐑾 𐑞𐑹𐑯 𐑧𐑯𐑩 ·𐑒đ‘Ș𐑐𐑑𐑳𐑒𐑕. 𐑕𐑮 𐑚𐑩𐑜 𐑹𐑻 𐑞𐑱 𐑞𐑹𐑑 𐑯𐑳𐑔𐑩𐑙 𐑹𐑫𐑛 𐑛𐑔 𐑚𐑳𐑑 𐑑 𐑚𐑊𐑀𐑛 𐑩 đ‘šđ‘Šđ‘œđ‘Œ, đ‘šđ‘§đ‘‘đ‘Œ 𐑕𐑑𐑮𐑯 𐑔𐑼𐑮𐑯 𐑓 ·𐑚đ‘Ș𐑙𐑜𐑮. 𐑞𐑱 𐑹𐑻𐑒𐑑 𐑓 𐑄𐑳𐑯𐑔𐑕: 𐑞𐑱 𐑣𐑿𐑛 𐑯 𐑒𐑳𐑑 𐑯 đ‘—đ‘Šđ‘Ÿđ‘©đ‘€đ‘› 𐑯 𐑒𐑾𐑝𐑛. 𐑱𐑧𐑯22 𐑩𐑑 𐑱đ‘Ș𐑟 𐑛𐑳𐑯 𐑞𐑱 𐑣𐑹𐑛 𐑩 đ‘„đ‘šđ‘œđ‘Żđ‘Šđ‘“đ‘Šđ‘•đ‘©đ‘Żđ‘‘ 𐑯𐑿 𐑔𐑼𐑮𐑯. 𐑞𐑱 𐑣𐑷𐑀𐑛 𐑩𐑑 𐑑 𐑞 ·𐑒𐑏𐑯𐑕𐑩𐑀 𐑣𐑬𐑕 𐑯 𐑕𐑧𐑑 𐑩𐑑 𐑳𐑐 𐑓 𐑞đ‘ș 𐑗𐑰𐑓. 𐑯 đ‘©đ‘šđ‘łđ‘ 𐑞 𐑯𐑿 𐑔𐑼𐑮𐑯 𐑞𐑱 𐑄𐑱𐑛 𐑩 𐑐𐑀𐑚𐑑𐑓đ‘č𐑄 𐑱đ‘ș 𐑞𐑱 𐑕𐑑𐑮𐑛 𐑞 đ‘»đ‘€đ‘œ 𐑔𐑼𐑮𐑯 𐑹𐑟 𐑩 𐑄𐑩𐑄đ‘čđ‘Ÿđ‘€ 𐑓 đ‘€đ‘±đ‘‘đ‘Œ đ‘Ąđ‘§đ‘Żđ‘Œđ‘±đ‘–đ‘©đ‘Żđ‘Ÿ.

𐑩𐑓 Â·đ‘’đ‘Źđ‘Żđ‘•đ‘©đ‘€đ‘Ÿ23 𐑹𐑻 𐑀𐑧𐑕 𐑱đ‘č𐑀đ‘Č𐑒 𐑹𐑑 𐑀𐑰𐑕𐑑 𐑞𐑱 𐑹𐑻 𐑹𐑟 𐑓𐑟𐑰𐑒𐑹𐑩𐑯𐑑 𐑯 𐑄đ‘č 𐑕𐑐𐑀𐑧𐑯𐑛𐑊𐑛. 𐑞đ‘ș đ‘Ș𐑯 𐑣𐑩𐑟 𐑯𐑎𐑚𐑩𐑀 𐑯𐑿 𐑔𐑼𐑮𐑯 𐑕𐑹𐑑 ·𐑚đ‘Ș𐑙𐑜𐑮 𐑚𐑩𐑯𐑰𐑔 𐑞𐑹𐑑 𐑕đ‘Č𐑀𐑩𐑯𐑑 𐑕𐑑𐑮𐑯 𐑟𐑊𐑄đ‘Čđ‘Żđ‘›đ‘Œ 𐑝 𐑣𐑬 𐑞𐑱 đ‘œđ‘źđ‘” 𐑑 𐑚𐑰 𐑚𐑩𐑜, 𐑚𐑩𐑜 𐑄𐑧𐑯. 𐑯𐑬 𐑞 đ‘œđ‘źđ‘±đ‘‘ 𐑑𐑷𐑒 𐑱đ‘Ș𐑟 𐑚𐑩𐑑𐑱𐑰𐑯 𐑎𐑀𐑛 𐑄𐑧𐑯 𐑩𐑗𐑩𐑙 𐑑 𐑼𐑩𐑕𐑑đ‘č 𐑞 đ‘€đ‘łđ‘đ‘› 𐑒𐑬-𐑛𐑳𐑙 𐑑 𐑞đ‘ș 𐑣𐑧𐑛𐑟, 𐑯 𐑞 𐑘𐑳𐑙 đ‘šđ‘źđ‘±đ‘đ‘Ÿ 𐑣𐑔 𐑯𐑿 𐑑𐑔 𐑹𐑧𐑀 𐑩𐑑 𐑹𐑫𐑛 𐑚𐑼𐑩𐑙 𐑊𐑀-𐑀𐑳𐑒 đ‘©đ‘œđ‘§đ‘Ż 𐑯 𐑄𐑱𐑒 đ‘Ąđ‘šđ‘’đ‘©đ‘€đ‘Ÿ 𐑝 𐑞𐑧𐑄.

𐑹𐑑 𐑞 𐑣đ‘Č𐑑 𐑝 𐑞𐑩𐑕 𐑛𐑊𐑚𐑱𐑑 𐑱𐑳𐑯 𐑛𐑱, 𐑩 ·𐑛𐑳𐑙-𐑐𐑾𐑑𐑩 đ‘§đ‘€đ‘›đ‘Œ, 𐑀𐑻𐑗𐑊𐑙 𐑩𐑒𐑕đ‘Č𐑑𐑩𐑛𐑀𐑊 𐑑 𐑣𐑩𐑟 𐑓𐑰𐑑, đ‘•đ‘‘đ‘šđ‘œđ‘Œđ‘› đ‘©đ‘œđ‘§đ‘Żđ‘•đ‘‘ 𐑩 𐑕𐑩𐑐đ‘č𐑑-𐑐𐑮𐑕𐑑 𐑩𐑯 𐑞 Â·đ‘œđ‘źđ‘±đ‘‘ Â·đ‘œđ‘źđ‘­đ‘• ·𐑣𐑏𐑕, 𐑯 𐑛𐑬𐑯 𐑓𐑼đ‘Ș𐑄 𐑩𐑑𐑕 𐑕𐑑𐑮𐑩𐑡-𐑐𐑀𐑚𐑑𐑓đ‘č𐑄 𐑒𐑼𐑹𐑖𐑑 𐑞 đ‘Șđ‘Żđ‘Œđ‘› 𐑕𐑑𐑮𐑯 𐑔𐑼𐑮𐑯. …“𐑞𐑩𐑕 𐑩𐑟 𐑞 đ‘Ș𐑓𐑑-𐑑𐑎𐑀𐑛 𐑕𐑑đ‘č𐑩, 𐑝 Â·đ‘šđ‘Šđ‘œ-𐑗𐑰𐑓 ·𐑚đ‘Ș𐑙𐑜𐑮𐑡đ‘č𐑩, 𐑐𐑳𐑀𐑐𐑑 𐑱đ‘ș24 𐑣𐑰 𐑕𐑹𐑑 𐑩𐑯 đ‘œđ‘€đ‘č𐑩”… 𐑯 𐑣𐑬 𐑩𐑑 𐑊𐑄𐑐𐑟𐑧𐑕𐑩𐑕 𐑞 𐑎𐑀𐑛 𐑄đ‘Ș𐑟𐑩𐑀, 𐑞𐑹𐑑 —

“𐑐𐑰𐑐𐑩𐑀 𐑣𐑔 đ‘€đ‘Šđ‘ 𐑩𐑯 𐑜𐑼𐑭𐑕 đ‘Łđ‘Źđ‘Ÿđ‘©đ‘Ÿ 𐑖𐑫𐑛 𐑯đ‘Ș𐑑 𐑕𐑑𐑮 𐑔𐑼𐑮𐑯𐑟!”25


  1. A shaggy dog story is a mid-20th-century comedic storytelling trope defined by a long, highly detailed, and seemingly serious narrative that exists solely to set up an absurd, anticlimactic, or groan-worthy punchline. The humor relies on subverting narrative expectations: getting the reader invested in elaborate lore and world-building, only to deflate the drama with a silly pun (here, an epic account of African tribal warfare crafted entirely to deliver the line “People who live in grass houses should not stow thrones!”). The term comes from an old joke about an owner searching the globe for a missing shaggy dog, only to find it and casually remark, “He isn’t so shaggy.” ↩︎

  2. 𐑚𐑩𐑓đ‘č Â·đ‘•đ‘Šđ‘đ‘Šđ‘€đ‘Šđ‘Ÿđ‘±đ‘–đ‘©đ‘Ż: Read included a namer-dot (·) before “Civilisation” as a personification, and typed 𐑩 instead of đ‘Č (đ‘•đ‘Šđ‘đ‘Šđ‘€đ‘Čđ‘Ÿđ‘±đ‘–đ‘©đ‘Ż). ↩︎

  3. 𐑧𐑀𐑩𐑓𐑩𐑯𐑑-𐑣đ‘Č𐑛 ↩︎

  4. 𐑣𐑱𐑧𐑯 (aspirated WH). Modern ReadLex/shaw-spell defaults to 𐑱𐑧𐑯. ↩︎

  5. 𐑑𐑼đ‘Č𐑚𐑄𐑧𐑯 ↩︎

  6. 𐑜𐑼𐑹𐑕 ↩︎

  7. Mount Karisimbi (·𐑄𐑏𐑯𐑑 ·𐑒𐑞𐑊𐑕𐑊𐑄𐑚𐑊, typed by Read as ·𐑒𐑟𐑊𐑕𐑊𐑄𐑚𐑩). An inactive stratovolcano in the Virunga Mountains on the border between Rwanda and the Democratic Republic of the Congo. ↩︎

  8. Lake Kivu (·𐑀𐑱𐑒 Â·đ‘’đ‘°đ‘đ‘”). One of the African Great Lakes, located on the border between the DRC and Rwanda. ↩︎

  9. Lomami River (·𐑀𐑎𐑄𐑭𐑄𐑊). A major tributary of the Congo River in the Democratic Republic of the Congo. ↩︎

  10. 𐑣𐑱đ‘Č𐑑 (white). Modern standard is 𐑱đ‘Č𐑑. ↩︎

  11. 𐑣𐑱𐑧𐑯 (when). ↩︎

  12. ·𐑚đ‘Ș𐑙𐑮𐑡đ‘č𐑩 (omitting 𐑜). Given Read’s spelling of ·𐑒đ‘Ș𐑙𐑜𐑮 (Congo) earlier in the same piece, ·𐑚đ‘Ș𐑙𐑜𐑮𐑡đ‘č𐑩 represents the standard ReadLex/shaw-spell phonetics (/ˈbɒƋɡoʊ/). ↩︎

  13. đ‘‘đ‘«đ‘œđ‘§đ‘žđ‘Œ (together). ReadLex standard uses đ‘‘đ‘©đ‘œđ‘§đ‘žđ‘Œ. ↩︎

  14. 𐑯𐑱𐑑 (nate) — a clear typo in Read’s original typing for 𐑯đ‘Č𐑑 (night). ↩︎

  15. 𐑣𐑱đ‘Ș𐑑 (what). Modern standard is 𐑱đ‘Ș𐑑. ↩︎

  16. đ‘˜đ‘«đ‘Œđ‘•đ‘§đ‘€đ‘đ‘Ÿ ↩︎

  17. 𐑣𐑱𐑩𐑐𐑑 (whipped). Modern standard is 𐑱𐑩𐑐𐑑. ↩︎

  18. đ‘Ąđ‘šđ‘’đ‘·đ‘€đ‘Ÿ ↩︎

  19. đ‘˜đ‘«đ‘Œ ↩︎

  20. ·𐑖𐑰𐑓 (sheef) — a typo in Read’s original typing for ·𐑗𐑰𐑓 (chief). ↩︎

  21. 𐑣𐑱𐑧𐑯 (when). ↩︎

  22. 𐑣𐑱𐑧𐑯 (when). ↩︎

  23. Â·đ‘’đ‘Źđ‘Żđ‘•đ‘©đ‘Ÿ — a typo missing 𐑀 for Â·đ‘’đ‘Źđ‘Żđ‘•đ‘©đ‘€đ‘Ÿ (counsels / councils). ↩︎

  24. 𐑣𐑱đ‘ș (where). ↩︎

  25. The climax pun of the story, spoofing the proverb: “People who live in glass houses should not throw stones.” ↩︎