Shaw-Script-Issue-1 on Alexander Reganhttps://alexregan.com/tags/shaw-script-issue-1/Recent content in Shaw-Script-Issue-1 on Alexander ReganHugoenTue, 29 Sep 2026 00:00:00 +0000Shaw-Script: Issue 1.5 - A SHAGGY TALEhttps://alexregan.com/nomadic-monotropism/shaw-script-issue-1-5-a-shaggy-tale/Tue, 29 Sep 2026 00:00:00 +0000https://alexregan.com/nomadic-monotropism/shaw-script-issue-1-5-a-shaggy-tale/<h2 id="𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼𐑟-𐑯𐑴𐑑">𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑</h2> <p>𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑧𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑓𐑮𐑪𐑥 <a href="https://www.shavian.info/books/">shavian.info</a>. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.</p> <p>𐑲 𐑣𐑨𐑝 𐑳𐑐𐑛𐑱𐑑𐑩𐑛 𐑕𐑐𐑧𐑤𐑦𐑙 𐑦𐑯 𐑕𐑦𐑤𐑧𐑒𐑑 𐑐𐑤𐑱𐑕𐑩𐑟 𐑢𐑺 𐑲 𐑕𐑩𐑕𐑐𐑧𐑒𐑑 𐑧𐑮𐑼 𐑹 𐑢𐑺 𐑲 𐑗𐑵𐑟 𐑑 𐑓𐑪𐑤𐑴 𐑞 𐑦𐑒𐑕𐑑𐑧𐑯𐑛𐑩𐑛 ·𐑮𐑰𐑛-𐑤𐑧𐑒𐑕 𐑕𐑑𐑨𐑯𐑛𐑼𐑛 𐑨𐑟 𐑦𐑥𐑐𐑤𐑦𐑥𐑧𐑯𐑑𐑩𐑛 𐑚𐑲 𐑞 <a href="https://shaw-spell.joro.io/">·𐑖𐑷-𐑕𐑐𐑧𐑤</a> 𐑑𐑵𐑤 𐑓𐑮𐑪𐑥 <a href="https://joro.io/">·𐑡𐑹𐑴</a>. 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑕𐑐𐑧𐑤𐑦𐑙𐑟 𐑸 𐑐𐑮𐑦𐑟𐑻𐑝𐑛 𐑦𐑯 𐑞 𐑓𐑫𐑑𐑯𐑴𐑑𐑕.</p>𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑

𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑧𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑓𐑮𐑪𐑥 shavian.info. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.

𐑲 𐑣𐑨𐑝 𐑳𐑐𐑛𐑱𐑑𐑩𐑛 𐑕𐑐𐑧𐑤𐑦𐑙 𐑦𐑯 𐑕𐑦𐑤𐑧𐑒𐑑 𐑐𐑤𐑱𐑕𐑩𐑟 𐑢𐑺 𐑲 𐑕𐑩𐑕𐑐𐑧𐑒𐑑 𐑧𐑮𐑼 𐑹 𐑢𐑺 𐑲 𐑗𐑵𐑟 𐑑 𐑓𐑪𐑤𐑴 𐑞 𐑦𐑒𐑕𐑑𐑧𐑯𐑛𐑩𐑛 ·𐑮𐑰𐑛-𐑤𐑧𐑒𐑕 𐑕𐑑𐑨𐑯𐑛𐑼𐑛 𐑨𐑟 𐑦𐑥𐑐𐑤𐑦𐑥𐑧𐑯𐑑𐑩𐑛 𐑚𐑲 𐑞 ·𐑖𐑷-𐑕𐑐𐑧𐑤 𐑑𐑵𐑤 𐑓𐑮𐑪𐑥 ·𐑡𐑹𐑴. 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑕𐑐𐑧𐑤𐑦𐑙𐑟 𐑸 𐑐𐑮𐑦𐑟𐑻𐑝𐑛 𐑦𐑯 𐑞 𐑓𐑫𐑑𐑯𐑴𐑑𐑕.

𐑞 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑦𐑖𐑵 𐑢𐑳𐑯 𐑒𐑨𐑯 𐑚𐑰 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑣𐑽.

·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑

A SHAGGY TALE1

ORVILLE L. WELLER

𐑚𐑨𐑒 𐑦𐑯 𐑞 𐑚𐑨𐑛 𐑛𐑱𐑟 𐑚𐑦𐑓𐑹 ·𐑕𐑦𐑝𐑦𐑤𐑲𐑟𐑱𐑖𐑩𐑯2 𐑒𐑱𐑥 𐑑 ·𐑨𐑓𐑮𐑦𐑒𐑩, 𐑦𐑯 𐑞 𐑛𐑱𐑟 𐑝 𐑔𐑹𐑯𐑢𐑫𐑛 𐑕𐑐𐑽𐑟 𐑯 𐑞 𐑧𐑤𐑦𐑓𐑩𐑯𐑑-𐑣𐑲𐑛3 𐑖𐑰𐑤𐑛, 𐑞𐑺 𐑢𐑻 𐑑𐑵 𐑑𐑮𐑲𐑚𐑟 𐑤𐑦𐑝𐑦𐑙 𐑦𐑯 𐑞 𐑣𐑲 𐑐𐑤𐑨𐑑𐑴 𐑒𐑳𐑯𐑑𐑮𐑦 𐑨𐑑 𐑞 𐑣𐑧𐑛𐑢𐑷𐑑𐑼𐑟 𐑝 𐑞 ·𐑒𐑪𐑙𐑜𐑴: 𐑞 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕 𐑯 𐑞 ·𐑥𐑬𐑤𐑵𐑟.

𐑞𐑦𐑕 𐑢𐑪𐑟 𐑤𐑪𐑙 𐑚𐑦𐑓𐑹 𐑞 𐑑𐑲𐑥 𐑢𐑧𐑯4 𐑞 ·𐑚𐑧𐑤𐑡𐑩𐑯𐑟 𐑒𐑱𐑥 𐑑 ·𐑨𐑓𐑮𐑦𐑒𐑩 𐑑 𐑑𐑰𐑗 𐑞 𐑯𐑱𐑑𐑦𐑝 𐑑𐑮𐑲𐑚𐑟𐑥𐑩𐑯5 𐑣𐑬 𐑑 𐑤𐑦𐑝 𐑦𐑯 𐑐𐑰𐑕 𐑯 𐑐𐑤𐑧𐑯𐑑𐑦: 𐑕𐑴 𐑞 𐑑𐑮𐑲𐑚𐑟 𐑓𐑷𐑑. 𐑞𐑱 𐑓𐑷𐑑 𐑴𐑝𐑼 𐑣𐑵 𐑒𐑫𐑛 𐑐𐑨𐑕𐑗𐑼 𐑒𐑨𐑑𐑩𐑤 𐑪𐑯 𐑞 𐑚𐑧𐑕𐑑 𐑜𐑮𐑭𐑕6 𐑩𐑤𐑪𐑙 𐑞 𐑮𐑦𐑝𐑼, 𐑣𐑵 𐑒𐑫𐑛 𐑣𐑳𐑯𐑑 𐑚𐑳𐑓𐑩𐑤𐑴 𐑪𐑯 𐑞 𐑕𐑤𐑴𐑐𐑕 𐑝 ·𐑥𐑬𐑯𐑑 ·𐑒𐑸𐑦𐑕𐑦𐑥𐑚𐑦7, 𐑣𐑵 𐑒𐑫𐑛 𐑓𐑦𐑖 𐑦𐑯 ·𐑤𐑱𐑒 ·𐑒𐑰𐑝𐑵8. 𐑞𐑰𐑟 𐑢𐑻 𐑞 𐑮𐑧𐑜𐑘𐑫𐑤𐑼 𐑓𐑲𐑑𐑕, 𐑞 𐑚𐑦𐑜 𐑓𐑲𐑯 𐑓𐑲𐑑𐑕 𐑢𐑦𐑞 𐑮𐑦𐑤𐑦𐑡𐑩𐑕 𐑚𐑤𐑧𐑕𐑦𐑙𐑟. 𐑞𐑧𐑯 𐑞𐑺 𐑢𐑻 𐑳𐑯𐑩𐑓𐑦𐑖𐑩𐑤 𐑓𐑲𐑑𐑕 𐑴𐑝𐑼 𐑕𐑥𐑷𐑤 𐑥𐑨𐑑𐑼𐑟, 𐑤𐑲𐑒 𐑣𐑵 𐑒𐑦𐑤𐑛 𐑣𐑵𐑟 𐑒𐑬, 𐑣𐑵 𐑕𐑑𐑴𐑤 𐑣𐑵𐑟 𐑢𐑲𐑓, 𐑯 𐑣𐑵 𐑑𐑮𐑨𐑥𐑐𐑩𐑤𐑛 𐑣𐑵𐑟 𐑒𐑹𐑯.

𐑦𐑯 𐑷𐑤 𐑞𐑰𐑟 𐑓𐑲𐑑𐑕, 𐑚𐑦𐑜 𐑹 𐑤𐑦𐑑𐑩𐑤, 𐑞 ·𐑥𐑬𐑤𐑵𐑟 𐑢𐑻 𐑒𐑳𐑥𐑦𐑙 𐑬𐑑 𐑕𐑧𐑒𐑩𐑯𐑛 𐑚𐑧𐑕𐑑. 𐑞 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕 𐑢𐑻 𐑜𐑧𐑑𐑦𐑙 𐑷𐑤 𐑞 𐑚𐑧𐑕𐑑 𐑐𐑨𐑕𐑗𐑼𐑟, 𐑞 𐑚𐑧𐑕𐑑 𐑣𐑳𐑯𐑑𐑦𐑙 𐑜𐑮𐑬𐑯𐑛𐑟, 𐑞 𐑚𐑧𐑕𐑑 𐑓𐑦𐑖𐑦𐑙 𐑕𐑑𐑮𐑰𐑥𐑟, 𐑞 𐑚𐑧𐑕𐑑 𐑚𐑰 𐑑𐑮𐑰𐑟. 𐑢𐑻𐑕𐑑 𐑝 𐑷𐑤, 𐑞 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕 𐑢𐑻 𐑚𐑰𐑑𐑦𐑙 𐑞𐑺 𐑛𐑮𐑳𐑥𐑟 𐑷𐑤 𐑞 𐑢𐑱 𐑓𐑮𐑪𐑥 𐑞 𐑣𐑦𐑤𐑟 𐑝 ·𐑿𐑜𐑨𐑯𐑛𐑩 𐑑 𐑞 𐑓𐑪𐑮𐑩𐑕𐑑𐑕 𐑝 ·𐑤𐑴𐑥𐑭𐑥𐑦9, 𐑑 𐑕𐑱 𐑞𐑱 𐑢𐑻 𐑞 𐑚𐑦𐑜 𐑥𐑧𐑯, 𐑞 𐑚𐑦𐑜, 𐑚𐑦𐑜 𐑥𐑧𐑯.

𐑞 ·𐑥𐑬𐑤𐑵𐑟 𐑑𐑮𐑲𐑛 𐑓𐑻𐑕𐑑 𐑢𐑳𐑯 𐑔𐑦𐑙 𐑯 𐑞𐑧𐑯 𐑩𐑯𐑳𐑞𐑼 𐑑 𐑗𐑱𐑯𐑡 𐑞𐑺 𐑤𐑳𐑒. 𐑞𐑱 𐑗𐑱𐑯𐑡𐑛 𐑢𐑹-𐑐𐑱𐑯𐑑 𐑓𐑮𐑪𐑥 𐑢𐑲𐑑10 𐑑 𐑝𐑼𐑥𐑦𐑤𐑘𐑩𐑯, 𐑞𐑱 𐑮𐑨𐑑𐑩𐑤𐑛 𐑞𐑺 𐑕𐑐𐑽𐑟 𐑩𐑜𐑧𐑯𐑕𐑑 𐑞 𐑑𐑮𐑰𐑟, 𐑞𐑱 𐑕𐑒𐑮𐑰𐑗𐑑 𐑯 𐑛𐑨𐑯𐑕𐑑 𐑯 𐑯𐑨𐑖𐑑 𐑞𐑺 𐑑𐑰𐑔; 𐑚𐑳𐑑 𐑞𐑱 𐑕𐑑𐑦𐑤 𐑒𐑫𐑛𐑩𐑯𐑑 𐑢𐑦𐑯 𐑓𐑲𐑑𐑕 𐑢𐑦𐑞 𐑞 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕.

𐑢𐑧𐑯11 𐑔𐑦𐑙𐑟 𐑒𐑫𐑛𐑩𐑯𐑑 𐑜𐑧𐑑 𐑢𐑻𐑕, ·𐑚𐑪𐑙𐑜𐑴𐑡𐑹𐑦12, ·𐑗𐑰𐑓 𐑝 𐑞 ·𐑥𐑬𐑤𐑵𐑟, 𐑒𐑷𐑤𐑛 𐑣𐑦𐑟 𐑧𐑤𐑛𐑼𐑟 𐑑𐑩𐑜𐑧𐑞𐑼13 𐑦𐑯 𐑞 𐑤𐑦𐑑𐑩𐑤 𐑜𐑮𐑨𐑕 𐑖𐑨𐑒 𐑞𐑱 𐑿𐑟𐑛 𐑨𐑟 𐑞𐑺 ·𐑒𐑬𐑯𐑕𐑩𐑤 𐑣𐑬𐑕. 𐑯 ·𐑚𐑪𐑙𐑜𐑴𐑡𐑹𐑦 — ·𐑚𐑪𐑙𐑜𐑴, 𐑓 𐑖𐑹𐑑 — 𐑤𐑫𐑒𐑑 𐑚𐑦𐑑𐑼𐑤𐑦 𐑨𐑑 𐑣𐑦𐑟 𐑣𐑧𐑛 𐑥𐑧𐑯 𐑯 𐑚𐑦𐑜𐑨𐑯 𐑑 𐑑𐑷𐑒. 𐑣𐑰 𐑑𐑷𐑒𐑑 𐑓 𐑩 𐑛𐑱 𐑯 𐑩 𐑯𐑲𐑑14, 𐑯 𐑞𐑦𐑕 𐑦𐑟 𐑢𐑪𐑑15 𐑣𐑰 𐑕𐑧𐑛: “𐑿 𐑒𐑷𐑤 𐑘𐑹𐑕𐑧𐑤𐑝𐑟16 𐑥𐑧𐑯 𐑝 𐑞 ·𐑥𐑬𐑤𐑵. 𐑿 𐑸 𐑯𐑪𐑑 𐑥𐑧𐑯: 𐑿 𐑸 𐑢𐑦𐑐𐑑17 𐑛𐑪𐑜𐑟. 𐑿 𐑸 𐑢𐑻𐑕: 𐑿 𐑸 𐑡𐑨𐑒𐑩𐑤𐑟18. 𐑡𐑨𐑒𐑩𐑤𐑟 𐑛𐑵 𐑯𐑪𐑑 𐑢𐑺 𐑒𐑬-𐑛𐑳𐑙 𐑦𐑯 𐑞𐑺 𐑣𐑺. 𐑴𐑯𐑤𐑦 𐑚𐑮𐑱𐑝𐑟 𐑢𐑺 𐑛𐑳𐑙 𐑦𐑯 𐑞𐑺 𐑣𐑺, 𐑕𐑴 𐑒𐑴𐑥 𐑦𐑑 𐑓𐑮𐑪𐑥 𐑘𐑹19 𐑣𐑧𐑛𐑟. 𐑤𐑧𐑑 𐑯𐑳𐑯 𐑢𐑺 𐑒𐑬-𐑛𐑳𐑙 𐑩𐑯𐑑𐑦𐑤 𐑣𐑰 𐑣𐑨𐑟 𐑢𐑳𐑯 𐑚𐑨𐑒 𐑪𐑯𐑼 𐑨𐑟 𐑩 𐑥𐑨𐑯, 𐑚𐑲 𐑛𐑮𐑲𐑝𐑦𐑙 𐑞 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕 𐑬𐑑 𐑝 𐑬𐑼 𐑤𐑨𐑯𐑛𐑟.”

𐑯 𐑕𐑴 𐑦𐑑 𐑒𐑱𐑥 𐑑 𐑐𐑨𐑕. 𐑚𐑲 ·𐑗𐑰𐑓20 ·𐑚𐑪𐑙𐑜𐑴’𐑟 𐑹𐑛𐑼, 𐑞 ·𐑥𐑬𐑤𐑵 𐑯𐑴 𐑤𐑪𐑙𐑜𐑼 𐑢𐑹 𐑒𐑬-𐑛𐑳𐑙. 𐑞𐑦𐑕 𐑢𐑪𐑟 𐑩 𐑕𐑽𐑾𐑕 𐑚𐑤𐑴 𐑑 𐑞𐑺 𐑝𐑨𐑯𐑦𐑑𐑦, 𐑓 ·𐑥𐑬𐑤𐑵 𐑒𐑬-𐑛𐑳𐑙 𐑣𐑨𐑛 𐑩 𐑕𐑧𐑯𐑑 𐑯𐑴𐑯 𐑓𐑸 𐑯 𐑢𐑲𐑛, 𐑯 ·𐑥𐑬𐑤𐑵 𐑥𐑱𐑤𐑟 𐑣𐑨𐑛 𐑜𐑮𐑴𐑯 𐑑 𐑤𐑳𐑝 𐑦𐑑.

𐑚𐑳𐑑 𐑞𐑱 𐑕𐑵𐑯 𐑓𐑼𐑜𐑪𐑑 𐑞𐑦𐑕 𐑛𐑧𐑐𐑮𐑦𐑝𐑱𐑖𐑩𐑯. 𐑓 𐑷𐑤𐑥𐑴𐑕𐑑 𐑦𐑥𐑰𐑛𐑾𐑑𐑤𐑦 𐑞𐑱 𐑕𐑑𐑸𐑑𐑩𐑛 𐑑 𐑢𐑦𐑯 𐑓𐑲𐑑𐑕. 𐑞𐑺 𐑮𐑱𐑛𐑟 𐑢𐑻 𐑕𐑩𐑒𐑕𐑧𐑕𐑓𐑩𐑤. 𐑞𐑱 𐑢𐑻 𐑢𐑦𐑯𐑦𐑙 𐑚𐑨𐑒 𐑞𐑺 𐑒𐑬𐑟 𐑯 𐑞𐑺 𐑢𐑦𐑥𐑦𐑯. 𐑞𐑱 𐑒𐑫𐑛 𐑛𐑵 𐑕𐑳𐑥𐑔𐑦𐑙 𐑯𐑧𐑝𐑼 𐑛𐑳𐑯 𐑚𐑦𐑓𐑹: 𐑞𐑱 𐑒𐑫𐑛 𐑒𐑮𐑰𐑐 𐑳𐑐 𐑪𐑯 𐑞 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕 𐑢𐑦𐑞𐑬𐑑 𐑞 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕 𐑕𐑧𐑯𐑑𐑦𐑙 𐑞𐑱 𐑢𐑻 𐑞𐑺.

𐑞 ·𐑥𐑬𐑤𐑵𐑟 𐑢𐑻 𐑕𐑴 𐑴𐑝𐑼𐑡𐑶𐑛 𐑚𐑲 𐑞𐑦𐑕 𐑑𐑻𐑯 𐑝 𐑦𐑝𐑧𐑯𐑑𐑕 𐑞𐑨𐑑 𐑞𐑱 𐑜𐑪𐑑 𐑛𐑮𐑳𐑙𐑒 𐑯 𐑛𐑦𐑕𐑲𐑛𐑩𐑛 𐑑 𐑚𐑦𐑤𐑛 𐑞𐑺 𐑗𐑰𐑓 𐑩 𐑔𐑮𐑴𐑯 𐑥𐑱𐑛 𐑝 𐑕𐑑𐑴𐑯 𐑑 𐑛𐑵 𐑣𐑦𐑥 𐑪𐑯𐑼 𐑯 𐑑 𐑕𐑧𐑤𐑩𐑚𐑮𐑱𐑑 𐑞 𐑗𐑱𐑯𐑡 𐑦𐑯 𐑞𐑺 𐑤𐑳𐑒. 𐑯 𐑢𐑧𐑯21 𐑞 𐑔𐑮𐑴𐑯 𐑢𐑪𐑟 𐑓𐑦𐑯𐑦𐑖𐑑, 𐑞𐑱 𐑚𐑦𐑤𐑑 𐑩 𐑚𐑦𐑜 𐑯𐑿 𐑜𐑮𐑭𐑕 𐑒𐑬𐑯𐑕𐑩𐑤 𐑣𐑬𐑕 𐑓 𐑞 𐑔𐑮𐑴𐑯 𐑯 𐑐𐑤𐑱𐑕𐑑 𐑦𐑑 𐑞𐑺 𐑓 𐑗𐑰𐑓 ·𐑚𐑪𐑙𐑜𐑴 𐑑 𐑕𐑦𐑑 𐑩𐑐𐑪𐑯.

𐑯𐑬 ·𐑚𐑪𐑙𐑜𐑴 𐑕𐑴 𐑤𐑳𐑝𐑛 𐑣𐑦𐑟 𐑕𐑑𐑴𐑯 𐑔𐑮𐑴𐑯 𐑞𐑨𐑑 𐑣𐑰 𐑔𐑷𐑑 𐑳𐑐 𐑷𐑤 𐑒𐑲𐑯𐑛𐑟 𐑝 𐑦𐑒𐑕𐑒𐑿𐑟𐑩𐑟 𐑑 𐑚𐑰 𐑕𐑰𐑯 𐑕𐑰𐑑𐑩𐑛 𐑞𐑺. 𐑥𐑹𐑯𐑦𐑙 𐑨𐑓𐑑𐑼 𐑥𐑹𐑯𐑦𐑙 𐑣𐑰 𐑕𐑳𐑥𐑩𐑯𐑛 𐑣𐑦𐑟 𐑢𐑪𐑮𐑽𐑟 𐑑 𐑞 ·𐑒𐑬𐑯𐑕𐑩𐑤 𐑣𐑬𐑕 𐑑 𐑐𐑤𐑨𐑯 𐑯𐑿 𐑮𐑱𐑛𐑟 𐑪𐑯 𐑞 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕. 𐑨𐑓𐑑𐑼 𐑕𐑳𐑥 𐑥𐑳𐑯𐑔𐑕 𐑝 𐑞𐑦𐑕, 𐑞 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕 𐑣𐑨𐑛 𐑣𐑨𐑛 𐑦𐑯𐑳𐑓. 𐑞𐑱 𐑐𐑨𐑒𐑑 𐑳𐑐 𐑯 𐑝𐑨𐑯𐑦𐑖𐑑. 𐑯 𐑞 ·𐑥𐑬𐑤𐑵𐑟 𐑣𐑨𐑛 𐑞 𐑤𐑨𐑯𐑛 𐑑 𐑞𐑧𐑥𐑕𐑧𐑤𐑝𐑟 𐑓𐑮𐑪𐑥 𐑞 𐑚𐑨𐑙𐑒𐑕 𐑝 𐑞 𐑜𐑮𐑱𐑑 𐑮𐑦𐑝𐑼 𐑑 𐑞 𐑕𐑳𐑞𐑼𐑯 𐑕𐑤𐑴𐑐𐑕 𐑝 ·𐑥𐑬𐑯𐑑 ·𐑒𐑪𐑮𐑩𐑕𐑦𐑥𐑚𐑩.

𐑯 𐑯𐑬 ·𐑥𐑬𐑤𐑵𐑟 𐑢𐑻 𐑞 𐑚𐑦𐑜 𐑥𐑧𐑯: 𐑚𐑦𐑜, 𐑚𐑦𐑜 𐑥𐑧𐑯, 𐑚𐑦𐑜𐑼 𐑚𐑲 𐑓𐑸 𐑞𐑨𐑯 𐑧𐑯𐑦 ·𐑒𐑪𐑐𐑑𐑳𐑒𐑕. 𐑕𐑴 𐑚𐑦𐑜 𐑢𐑻 𐑞𐑱 𐑞𐑨𐑑 𐑯𐑳𐑔𐑦𐑙 𐑢𐑫𐑛 𐑛𐑵 𐑚𐑳𐑑 𐑑 𐑚𐑦𐑤𐑛 𐑩 𐑚𐑦𐑜𐑼, 𐑚𐑧𐑑𐑼 𐑕𐑑𐑴𐑯 𐑔𐑮𐑴𐑯 𐑓 ·𐑚𐑪𐑙𐑜𐑴. 𐑞𐑱 𐑢𐑻𐑒𐑑 𐑓 𐑥𐑳𐑯𐑔𐑕: 𐑞𐑱 𐑣𐑿𐑛 𐑯 𐑒𐑳𐑑 𐑯 𐑗𐑦𐑟𐑩𐑤𐑛 𐑯 𐑒𐑸𐑝𐑛. 𐑢𐑧𐑯22 𐑦𐑑 𐑢𐑪𐑟 𐑛𐑳𐑯 𐑞𐑱 𐑣𐑨𐑛 𐑩 𐑥𐑨𐑜𐑯𐑦𐑓𐑦𐑕𐑩𐑯𐑑 𐑯𐑿 𐑔𐑮𐑴𐑯. 𐑞𐑱 𐑣𐑷𐑤𐑛 𐑦𐑑 𐑑 𐑞 ·𐑒𐑬𐑯𐑕𐑩𐑤 𐑣𐑬𐑕 𐑯 𐑕𐑧𐑑 𐑦𐑑 𐑳𐑐 𐑓 𐑞𐑺 𐑗𐑰𐑓. 𐑯 𐑩𐑚𐑳𐑝 𐑞 𐑯𐑿 𐑔𐑮𐑴𐑯 𐑞𐑱 𐑥𐑱𐑛 𐑩 𐑐𐑤𐑨𐑑𐑓𐑹𐑥 𐑢𐑺 𐑞𐑱 𐑕𐑑𐑴𐑛 𐑞 𐑻𐑤𐑽 𐑔𐑮𐑴𐑯 𐑨𐑟 𐑩 𐑥𐑩𐑥𐑹𐑾𐑤 𐑓 𐑤𐑱𐑑𐑼 𐑡𐑧𐑯𐑼𐑱𐑖𐑩𐑯𐑟.

𐑦𐑓 ·𐑒𐑬𐑯𐑕𐑩𐑤𐑟23 𐑢𐑻 𐑤𐑧𐑕 𐑢𐑹𐑤𐑲𐑒 𐑨𐑑 𐑤𐑰𐑕𐑑 𐑞𐑱 𐑢𐑻 𐑨𐑟 𐑓𐑮𐑰𐑒𐑢𐑩𐑯𐑑 𐑯 𐑥𐑹 𐑕𐑐𐑤𐑧𐑯𐑛𐑦𐑛. 𐑞𐑺 𐑪𐑯 𐑣𐑦𐑟 𐑯𐑴𐑚𐑩𐑤 𐑯𐑿 𐑔𐑮𐑴𐑯 𐑕𐑨𐑑 ·𐑚𐑪𐑙𐑜𐑴 𐑚𐑦𐑯𐑰𐑔 𐑞𐑨𐑑 𐑕𐑲𐑤𐑩𐑯𐑑 𐑕𐑑𐑴𐑯 𐑮𐑦𐑥𐑲𐑯𐑛𐑼 𐑝 𐑣𐑬 𐑞𐑱 𐑜𐑮𐑵 𐑑 𐑚𐑰 𐑚𐑦𐑜, 𐑚𐑦𐑜 𐑥𐑧𐑯. 𐑯𐑬 𐑞 𐑜𐑮𐑱𐑑 𐑑𐑷𐑒 𐑢𐑪𐑟 𐑚𐑦𐑑𐑢𐑰𐑯 𐑴𐑤𐑛 𐑥𐑧𐑯 𐑦𐑗𐑦𐑙 𐑑 𐑮𐑦𐑕𐑑𐑹 𐑞 𐑤𐑳𐑝𐑛 𐑒𐑬-𐑛𐑳𐑙 𐑑 𐑞𐑺 𐑣𐑧𐑛𐑟, 𐑯 𐑞 𐑘𐑳𐑙 𐑚𐑮𐑱𐑝𐑟 𐑣𐑵 𐑯𐑿 𐑑𐑵 𐑢𐑧𐑤 𐑦𐑑 𐑢𐑫𐑛 𐑚𐑮𐑦𐑙 𐑦𐑤-𐑤𐑳𐑒 𐑩𐑜𐑧𐑯 𐑯 𐑥𐑱𐑒 𐑡𐑨𐑒𐑩𐑤𐑟 𐑝 𐑞𐑧𐑥.

𐑨𐑑 𐑞 𐑣𐑲𐑑 𐑝 𐑞𐑦𐑕 𐑛𐑦𐑚𐑱𐑑 𐑢𐑳𐑯 𐑛𐑱, 𐑩 ·𐑛𐑳𐑙-𐑐𐑸𐑑𐑦 𐑧𐑤𐑛𐑼, 𐑤𐑻𐑗𐑦𐑙 𐑦𐑒𐑕𐑲𐑑𐑩𐑛𐑤𐑦 𐑑 𐑣𐑦𐑟 𐑓𐑰𐑑, 𐑕𐑑𐑨𐑜𐑼𐑛 𐑩𐑜𐑧𐑯𐑕𐑑 𐑩 𐑕𐑩𐑐𐑹𐑑-𐑐𐑴𐑕𐑑 𐑦𐑯 𐑞 ·𐑜𐑮𐑱𐑑 ·𐑜𐑮𐑭𐑕 ·𐑣𐑬𐑕, 𐑯 𐑛𐑬𐑯 𐑓𐑮𐑪𐑥 𐑦𐑑𐑕 𐑕𐑑𐑴𐑦𐑡-𐑐𐑤𐑨𐑑𐑓𐑹𐑥 𐑒𐑮𐑨𐑖𐑑 𐑞 𐑪𐑯𐑼𐑛 𐑕𐑑𐑴𐑯 𐑔𐑮𐑴𐑯. …“𐑞𐑦𐑕 𐑦𐑟 𐑞 𐑪𐑓𐑑-𐑑𐑴𐑤𐑛 𐑕𐑑𐑹𐑦, 𐑝 ·𐑚𐑦𐑜-𐑗𐑰𐑓 ·𐑚𐑪𐑙𐑜𐑴𐑡𐑹𐑦, 𐑐𐑳𐑤𐑐𐑑 𐑢𐑺24 𐑣𐑰 𐑕𐑨𐑑 𐑦𐑯 𐑜𐑤𐑹𐑦”… 𐑯 𐑣𐑬 𐑦𐑑 𐑦𐑥𐑐𐑮𐑧𐑕𐑩𐑕 𐑞 𐑴𐑤𐑛 𐑥𐑪𐑮𐑩𐑤, 𐑞𐑨𐑑 —

“𐑐𐑰𐑐𐑩𐑤 𐑣𐑵 𐑤𐑦𐑝 𐑦𐑯 𐑜𐑮𐑭𐑕 𐑣𐑬𐑟𐑩𐑟 𐑖𐑫𐑛 𐑯𐑪𐑑 𐑕𐑑𐑴 𐑔𐑮𐑴𐑯𐑟!”25

  1. A shaggy dog story is a mid-20th-century comedic storytelling trope defined by a long, highly detailed, and seemingly serious narrative that exists solely to set up an absurd, anticlimactic, or groan-worthy punchline. The humor relies on subverting narrative expectations: getting the reader invested in elaborate lore and world-building, only to deflate the drama with a silly pun (here, an epic account of African tribal warfare crafted entirely to deliver the line “People who live in grass houses should not stow thrones!”). The term comes from an old joke about an owner searching the globe for a missing shaggy dog, only to find it and casually remark, “He isn’t so shaggy.” ↩︎

  2. 𐑚𐑦𐑓𐑹 ·𐑕𐑦𐑝𐑦𐑤𐑦𐑟𐑱𐑖𐑩𐑯: Read included a namer-dot (¡) before “Civilisation” as a personification, and typed 𐑦 instead of 𐑲 (𐑕𐑦𐑝𐑦𐑤𐑲𐑟𐑱𐑖𐑩𐑯). ↩︎

  3. 𐑧𐑤𐑩𐑓𐑩𐑯𐑑-𐑣𐑲𐑛 ↩︎

  4. 𐑣𐑢𐑧𐑯 (aspirated WH). Modern ReadLex/shaw-spell defaults to 𐑢𐑧𐑯. ↩︎

  5. 𐑑𐑮𐑲𐑚𐑥𐑧𐑯 ↩︎

  6. 𐑜𐑮𐑨𐑕 ↩︎

  7. Mount Karisimbi (·𐑥𐑬𐑯𐑑 ·𐑒𐑸𐑦𐑕𐑦𐑥𐑚𐑦, typed by Read as ·𐑒𐑮𐑦𐑕𐑦𐑥𐑚𐑩). An inactive stratovolcano in the Virunga Mountains on the border between Rwanda and the Democratic Republic of the Congo. ↩︎

  8. Lake Kivu (·𐑤𐑱𐑒 ·𐑒𐑰𐑝𐑵). One of the African Great Lakes, located on the border between the DRC and Rwanda. ↩︎

  9. Lomami River (·𐑤𐑴𐑥𐑭𐑥𐑦). A major tributary of the Congo River in the Democratic Republic of the Congo. ↩︎

  10. 𐑣𐑢𐑲𐑑 (white). Modern standard is 𐑢𐑲𐑑. ↩︎

  11. 𐑣𐑢𐑧𐑯 (when). ↩︎

  12. ·𐑚𐑪𐑙𐑴𐑡𐑹𐑦 (omitting 𐑜). Given Read’s spelling of ·𐑒𐑪𐑙𐑜𐑴 (Congo) earlier in the same piece, ·𐑚𐑪𐑙𐑜𐑴𐑡𐑹𐑦 represents the standard ReadLex/shaw-spell phonetics (/ˈbɒŋɡoʊ/). ↩︎

  13. 𐑑𐑫𐑜𐑧𐑞𐑼 (together). ReadLex standard uses 𐑑𐑩𐑜𐑧𐑞𐑼. ↩︎

  14. 𐑯𐑱𐑑 (nate) — a clear typo in Read’s original typing for 𐑯𐑲𐑑 (night). ↩︎

  15. 𐑣𐑢𐑪𐑑 (what). Modern standard is 𐑢𐑪𐑑. ↩︎

  16. 𐑘𐑫𐑼𐑕𐑧𐑤𐑝𐑟 ↩︎

  17. 𐑣𐑢𐑦𐑐𐑑 (whipped). Modern standard is 𐑢𐑦𐑐𐑑. ↩︎

  18. 𐑡𐑨𐑒𐑷𐑤𐑟 ↩︎

  19. 𐑘𐑫𐑼 ↩︎

  20. ·𐑖𐑰𐑓 (sheef) — a typo in Read’s original typing for ·𐑗𐑰𐑓 (chief). ↩︎

  21. 𐑣𐑢𐑧𐑯 (when). ↩︎

  22. 𐑣𐑢𐑧𐑯 (when). ↩︎

  23. ·𐑒𐑬𐑯𐑕𐑩𐑟 — a typo missing 𐑤 for ·𐑒𐑬𐑯𐑕𐑩𐑤𐑟 (counsels / councils). ↩︎

  24. 𐑣𐑢𐑺 (where). ↩︎

  25. The climax pun of the story, spoofing the proverb: “People who live in glass houses should not throw stones.” ↩︎

]]>Shaw-Script: Issue 1.4 - TELECASThttps://alexregan.com/nomadic-monotropism/shaw-script-issue-1-4-telecast/Mon, 28 Sep 2026 00:00:00 +0000https://alexregan.com/nomadic-monotropism/shaw-script-issue-1-4-telecast/<h2 id="𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼𐑟-𐑯𐑴𐑑">𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑</h2> <p>𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑧𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑓𐑮𐑪𐑥 <a href="https://www.shavian.info/books/">shavian.info</a>. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.</p> <p>𐑲 𐑣𐑨𐑝 𐑳𐑐𐑛𐑱𐑑𐑩𐑛 𐑕𐑐𐑧𐑤𐑦𐑙 𐑦𐑯 𐑕𐑦𐑤𐑧𐑒𐑑 𐑐𐑤𐑱𐑕𐑩𐑟 𐑢𐑺 𐑲 𐑕𐑩𐑕𐑐𐑧𐑒𐑑 𐑧𐑮𐑼 𐑹 𐑢𐑺 𐑲 𐑗𐑵𐑟 𐑑 𐑓𐑪𐑤𐑴 𐑞 𐑦𐑒𐑕𐑑𐑧𐑯𐑛𐑩𐑛 ·𐑮𐑰𐑛-𐑤𐑧𐑒𐑕 𐑕𐑑𐑨𐑯𐑛𐑼𐑛 𐑨𐑟 𐑦𐑥𐑐𐑤𐑦𐑥𐑧𐑯𐑑𐑩𐑛 𐑚𐑲 𐑞 <a href="https://shaw-spell.joro.io/">·𐑖𐑷-𐑕𐑐𐑧𐑤</a> 𐑑𐑵𐑤 𐑓𐑮𐑪𐑥 <a href="https://joro.io/">·𐑡𐑹𐑴</a>. 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑕𐑐𐑧𐑤𐑦𐑙𐑟 𐑸 𐑐𐑮𐑦𐑟𐑻𐑝𐑛 𐑦𐑯 𐑞 𐑓𐑫𐑑𐑯𐑴𐑑𐑕.</p>𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑

𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑧𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑓𐑮𐑪𐑥 shavian.info. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.

𐑲 𐑣𐑨𐑝 𐑳𐑐𐑛𐑱𐑑𐑩𐑛 𐑕𐑐𐑧𐑤𐑦𐑙 𐑦𐑯 𐑕𐑦𐑤𐑧𐑒𐑑 𐑐𐑤𐑱𐑕𐑩𐑟 𐑢𐑺 𐑲 𐑕𐑩𐑕𐑐𐑧𐑒𐑑 𐑧𐑮𐑼 𐑹 𐑢𐑺 𐑲 𐑗𐑵𐑟 𐑑 𐑓𐑪𐑤𐑴 𐑞 𐑦𐑒𐑕𐑑𐑧𐑯𐑛𐑩𐑛 ·𐑮𐑰𐑛-𐑤𐑧𐑒𐑕 𐑕𐑑𐑨𐑯𐑛𐑼𐑛 𐑨𐑟 𐑦𐑥𐑐𐑤𐑦𐑥𐑧𐑯𐑑𐑩𐑛 𐑚𐑲 𐑞 ·𐑖𐑷-𐑕𐑐𐑧𐑤 𐑑𐑵𐑤 𐑓𐑮𐑪𐑥 ·𐑡𐑹𐑴. 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑕𐑐𐑧𐑤𐑦𐑙𐑟 𐑸 𐑐𐑮𐑦𐑟𐑻𐑝𐑛 𐑦𐑯 𐑞 𐑓𐑫𐑑𐑯𐑴𐑑𐑕.

𐑞 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑦𐑖𐑵 𐑢𐑳𐑯 𐑒𐑨𐑯 𐑚𐑰 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑣𐑽.

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𐑦𐑯𐑑𐑮𐑩𐑛𐑿𐑕𐑦𐑙 ·𐑖𐑱𐑝𐑾𐑯 𐑑 𐑑𐑧𐑤𐑦𐑝𐑦𐑠𐑩𐑯 𐑷𐑛𐑾𐑯𐑕𐑩𐑟 𐑦𐑯 ·𐑒𐑨𐑯𐑩𐑛𐑩, 𐑪𐑯 𐑞 𐑯𐑱𐑖𐑩𐑯𐑢𐑲𐑛 ·𐑐𐑨𐑯𐑩𐑤 𐑐𐑮𐑴𐑜𐑮𐑨𐑥 ‘𐑓𐑮𐑳𐑯𐑑 ·𐑐𐑱𐑡 𐑗𐑨𐑤𐑩𐑯𐑡1’, 𐑕𐑑𐑸𐑑𐑩𐑛 𐑪𐑓 𐑨𐑟 𐑩 𐑝𐑧𐑮𐑦 𐑕𐑽𐑾𐑕 𐑚𐑦𐑟𐑯𐑩𐑕, 𐑚𐑳𐑑 𐑚𐑲 𐑞 𐑑𐑲𐑥 𐑞 𐑖𐑴 𐑢𐑪𐑟 𐑢𐑧𐑤 𐑯 𐑑𐑮𐑵𐑤𐑦 𐑑𐑧𐑤𐑦𐑒𐑭𐑕𐑑 𐑲 𐑒𐑫𐑛 𐑤𐑫𐑒 𐑚𐑨𐑒 𐑪𐑯 𐑩𐑯 𐑦𐑒𐑕𐑐𐑽𐑾𐑯𐑕 𐑞𐑨𐑑 𐑮𐑨𐑯 𐑞 𐑜𐑨𐑥𐑩𐑑 𐑷𐑤 𐑞 𐑢𐑱 𐑓𐑮𐑪𐑥 𐑣𐑲 𐑑𐑧𐑯𐑖𐑩𐑯 𐑑 𐑖𐑽 𐑣𐑦𐑤𐑨𐑮𐑦𐑑𐑦.

𐑦𐑯 𐑞 𐑚𐑦𐑜𐑦𐑯𐑦𐑙 𐑲 𐑢𐑪𐑟 𐑕𐑢𐑹𐑯 𐑑 𐑞 𐑳𐑑𐑥𐑴𐑕𐑑 𐑕𐑰𐑒𐑮𐑩𐑕𐑦, 𐑯 𐑞 𐑒𐑪𐑯𐑑𐑮𐑨𐑒𐑑 𐑲 𐑕𐑲𐑯𐑛 𐑢𐑦𐑞 𐑞 ·𐑒𐑩𐑯𐑱𐑛𐑾𐑯 𐑚𐑮𐑷𐑛𐑒𐑭𐑕𐑑𐑦𐑙 𐑒𐑹𐑐𐑼𐑱𐑖𐑩𐑯 𐑢𐑪𐑟 𐑕𐑳𐑚𐑡𐑧𐑒𐑑 𐑑 𐑦𐑥𐑰𐑛𐑾𐑑 𐑒𐑨𐑯𐑕𐑩𐑤𐑱𐑖𐑩𐑯 𐑦𐑓 𐑧𐑯𐑦 𐑦𐑙𐑒𐑤𐑦𐑙 𐑝 𐑥𐑲 𐑲𐑛𐑧𐑯𐑑𐑦𐑑𐑦 𐑖𐑫𐑛 𐑤𐑰𐑒 𐑑 𐑞 𐑥𐑧𐑥𐑚𐑼𐑟 𐑝 𐑞 ·𐑐𐑨𐑯𐑩𐑤 𐑚𐑦𐑓𐑹 𐑞 𐑖𐑴. 𐑯𐑰𐑛𐑤𐑩𐑕 𐑑 𐑕𐑱, 𐑞 𐑕𐑰𐑒𐑮𐑩𐑑 𐑢𐑪𐑟 𐑒𐑧𐑐𐑑!

𐑞𐑦𐑕 𐑢𐑪𐑟 𐑯𐑪𐑑 𐑥𐑲 𐑓𐑻𐑕𐑑 𐑩𐑐𐑽𐑩𐑯𐑕 𐑪𐑯 𐑑𐑧𐑤𐑦𐑝𐑦𐑠𐑩𐑯, 𐑚𐑳𐑑 𐑲 𐑔𐑦𐑙𐑒 𐑦𐑑 𐑢𐑪𐑟 𐑒𐑢𐑲𐑑 𐑞 𐑥𐑴𐑕𐑑 𐑦𐑒𐑕𐑲𐑑𐑦𐑙. ‘𐑓𐑮𐑳𐑯𐑑 ·𐑐𐑱𐑡 𐑗𐑨𐑤𐑩𐑯𐑡1’ 𐑦𐑟 𐑩 𐑝𐑧𐑮𐑦 𐑐𐑪𐑐𐑘𐑩𐑤𐑼2 𐑐𐑮𐑴𐑜𐑮𐑨𐑥: 𐑦𐑑 𐑮𐑱𐑯𐑡𐑩𐑟 𐑓𐑸 𐑯 𐑢𐑲𐑛 𐑔𐑮𐑵𐑬𐑑 𐑞 𐑢𐑻𐑤𐑛, 𐑓 𐑦𐑑𐑕 𐑜𐑧𐑕𐑑-𐑗𐑨𐑤𐑩𐑯𐑡𐑼𐑟3 𐑣𐑨𐑝 𐑮𐑰𐑕𐑩𐑯𐑑𐑤𐑦 𐑦𐑯𐑒𐑤𐑵𐑛𐑩𐑛 𐑕𐑳𐑗 𐑕𐑩𐑤𐑧𐑚𐑮𐑦𐑑𐑦𐑟4 𐑨𐑟 ·𐑥𐑼.5 𐑣𐑨𐑮𐑩𐑤𐑛 𐑢𐑦𐑤𐑕𐑩𐑯 𐑯 ·𐑥𐑦𐑕 𐑥𐑺𐑦 𐑐𐑦𐑒𐑓𐑼𐑛. 𐑦𐑯 𐑞 𐑑𐑧𐑤𐑦𐑝𐑦𐑠𐑩𐑯 𐑕𐑑𐑿𐑛𐑦𐑴𐑟 𐑦𐑯 ·𐑑𐑼𐑪𐑯𐑑𐑴6 𐑲 𐑓𐑬𐑯𐑛 𐑥𐑲𐑕𐑧𐑤𐑓 𐑩𐑥𐑳𐑙 𐑨𐑟 𐑳𐑯𐑤𐑲𐑒𐑤𐑦 𐑩 𐑜𐑮𐑵𐑐 𐑝 𐑦𐑯𐑛𐑦𐑝𐑦𐑡𐑫𐑩𐑤𐑟7 𐑨𐑟 𐑢𐑳𐑯 𐑒𐑫𐑛 𐑦𐑥𐑨𐑡𐑦𐑯. 𐑯𐑴 𐑛𐑬𐑑 𐑞𐑱 𐑔𐑷𐑑 𐑥𐑰 𐑝𐑧𐑮𐑦 𐑳𐑯𐑤𐑲𐑒𐑤𐑦 𐑑𐑵.

𐑞𐑺 𐑢𐑪𐑟 𐑩 𐑥𐑦𐑯𐑦𐑕𐑑𐑼 𐑝 𐑮𐑦𐑤𐑦𐑡𐑩𐑯 𐑣𐑵 𐑣𐑨𐑛 𐑕𐑐𐑧𐑯𐑑 𐑥𐑧𐑯𐑦 𐑬𐑼𐑟 𐑦𐑯 𐑞 𐑒𐑩𐑯𐑛𐑧𐑥𐑛 𐑕𐑧𐑤 𐑢𐑦𐑞 ADOLF EICHMANN, 𐑑𐑮𐑲𐑦𐑙 𐑑 𐑕𐑱𐑝 𐑞 𐑥𐑨𐑯’𐑟 𐑕𐑴𐑤 𐑚𐑦𐑓𐑹 𐑣𐑦𐑟 𐑦𐑥𐑐𐑧𐑯𐑛𐑦𐑙 𐑧𐑒𐑕𐑦𐑒𐑿𐑖𐑩𐑯. 𐑞𐑺 𐑢𐑪𐑟 𐑩 𐑮𐑦𐑑𐑲𐑼𐑛 𐑯𐑱𐑝𐑩𐑤 𐑪𐑓𐑦𐑕𐑼 𐑣𐑵 𐑣𐑨𐑛 𐑜𐑦𐑝𐑩𐑯 𐑞 𐑨𐑒𐑗𐑫𐑩𐑤 𐑕𐑦𐑜𐑯𐑩𐑤 𐑓 𐑞 𐑚𐑦𐑜𐑦𐑯𐑦𐑙 𐑝 𐑞 ·𐑨𐑮𐑩𐑚 𐑮𐑦𐑝𐑴𐑤𐑑 𐑯 𐑣𐑨𐑛 𐑯𐑴𐑯 ·𐑤𐑪𐑮𐑩𐑯𐑕8 𐑝 𐑼𐑱𐑚𐑾 𐑢𐑧𐑯 𐑣𐑰 𐑢𐑪𐑟 𐑕𐑑𐑦𐑤 𐑳𐑯𐑯𐑴𐑯 𐑑 𐑞 𐑢𐑻𐑤𐑛. 𐑞𐑺 𐑢𐑪𐑟 𐑩 𐑘𐑳𐑙 𐑜𐑻𐑤 𐑕𐑢𐑦𐑥𐑼, 𐑩 𐑢𐑻𐑤𐑛 𐑗𐑨𐑥𐑐𐑾𐑯 𐑯 ·𐑒𐑨𐑯𐑩𐑛𐑩’𐑟 𐑗𐑴𐑟𐑩𐑯 ·𐑢𐑫𐑥𐑩𐑯 𐑨𐑔𐑤𐑰𐑑 𐑝 𐑞 𐑘𐑽. 𐑯 𐑞𐑺 𐑢𐑪𐑟 𐑩 𐑛𐑦𐑤𐑲𐑑𐑓𐑩𐑤 𐑔𐑻𐑑𐑰𐑯-𐑘𐑽-𐑴𐑤𐑛 𐑚𐑶, 𐑝𐑧𐑮𐑦 𐑚𐑮𐑲𐑑 𐑯 𐑳𐑯𐑕𐑐𐑶𐑤𐑛9, 𐑣𐑵 𐑮𐑳𐑯𐑟 𐑩 𐑕𐑦𐑯𐑛𐑦𐑒𐑱𐑑𐑩𐑛 𐑒𐑪𐑤𐑩𐑥 𐑦𐑯 𐑩 𐑕𐑒𐑹 𐑝 ·𐑯𐑹𐑔 𐑩𐑥𐑧𐑮𐑦𐑒𐑩𐑯 𐑯𐑿𐑟𐑐𐑱𐑐𐑼𐑟, 𐑜𐑦𐑝𐑦𐑙 𐑩𐑛𐑝𐑲𐑕 𐑑 𐑣𐑦𐑟 𐑒𐑩𐑯𐑑𐑧𐑥𐑐𐑼𐑼𐑦𐑟 𐑣𐑵 𐑮𐑲𐑑-𐑦𐑯 𐑞𐑺 𐑐𐑮𐑪𐑚𐑤𐑩𐑥𐑟 𐑑 𐑣𐑦𐑥.

𐑢𐑰 𐑢𐑻 𐑷𐑤10 𐑧𐑯𐑑𐑼𐑑𐑱𐑯𐑛 𐑨𐑑 𐑛𐑦𐑯𐑼 𐑚𐑦𐑓𐑹 𐑞 𐑖𐑴, 𐑯 𐑯𐑰𐑛 𐑲 𐑑𐑧𐑤 𐑿 𐑞𐑺 𐑢𐑻 𐑤𐑪𐑙 𐑕𐑲𐑤𐑩𐑯𐑕𐑩𐑟 𐑮𐑬𐑯𐑛 𐑞𐑨𐑑 𐑛𐑦𐑯𐑼 𐑑𐑱𐑚𐑩𐑤: 𐑯𐑴𐑚𐑪𐑛𐑦 𐑑𐑷𐑒𐑑 𐑩𐑚𐑬𐑑 𐑞 𐑢𐑧𐑞𐑼, 𐑚𐑳𐑑 𐑦𐑯 𐑩 𐑖𐑴 𐑤𐑲𐑒 𐑞𐑦𐑕, 𐑞𐑺 𐑦𐑟 𐑝𐑧𐑮𐑦 𐑤𐑦𐑑𐑩𐑤 𐑕𐑑𐑱𐑡-𐑓𐑮𐑲𐑑 𐑹 𐑥𐑲𐑒-𐑓𐑮𐑲𐑑 𐑹 𐑒𐑨𐑥𐑼𐑩-𐑓𐑮𐑲𐑑, 𐑓 𐑞 𐑗𐑨𐑤𐑩𐑯𐑡𐑼𐑟11 𐑸 𐑐𐑰𐑐𐑩𐑤 𐑣𐑵 𐑸 𐑮𐑾𐑤𐑦 𐑨𐑑 𐑣𐑴𐑥 𐑢𐑦𐑞 𐑞𐑺 𐑕𐑳𐑚𐑡𐑧𐑒𐑑 𐑯 𐑞𐑺 𐑦𐑒𐑕𐑐𐑽𐑾𐑯𐑕𐑩𐑟, 𐑯 𐑞𐑱 𐑒𐑨𐑯 𐑿𐑠𐑫𐑩𐑤𐑦 𐑣𐑨𐑯𐑛𐑩𐑤 𐑧𐑯𐑦 𐑒𐑢𐑧𐑕𐑗𐑩𐑯𐑟 𐑓𐑲𐑼𐑛 𐑨𐑑 𐑞𐑧𐑥 𐑚𐑲 𐑞 ·𐑐𐑨𐑯𐑩𐑤. 𐑞 𐑥𐑧𐑥𐑚𐑼𐑟 𐑝 𐑞 𐑐𐑨𐑯𐑩𐑤 𐑸 𐑧𐑒𐑕𐑩𐑤𐑩𐑯𐑑 𐑦𐑯 𐑞𐑺 𐑡𐑪𐑚: 𐑞𐑱 𐑸 𐑝𐑧𐑮𐑦 𐑯𐑪𐑤𐑦𐑡𐑩𐑚𐑩𐑤: 𐑞𐑺 𐑥𐑧𐑥𐑼𐑦𐑟 𐑸 𐑑𐑮𐑵𐑤𐑦 𐑩𐑥𐑱𐑟𐑦𐑙. 𐑜𐑧𐑕𐑑𐑕 𐑣𐑵𐑟 𐑩𐑐𐑽𐑩𐑯𐑕 𐑥𐑱 𐑚𐑰 𐑯𐑴𐑯 𐑑 𐑞𐑧𐑥, 𐑓𐑮𐑪𐑥 𐑯𐑿𐑟 𐑓𐑴𐑑𐑴𐑟 𐑯 𐑕𐑴 𐑪𐑯, 𐑸 ‘𐑣𐑦𐑛𐑩𐑯 𐑗𐑨𐑤𐑩𐑯𐑡𐑼𐑟’12, 𐑭𐑯𐑕𐑼𐑦𐑙 𐑒𐑢𐑧𐑕𐑗𐑩𐑯𐑟 𐑓𐑮𐑪𐑥 𐑩 𐑕𐑑𐑨𐑯𐑛 𐑣𐑲 𐑳𐑐 𐑚𐑦𐑣𐑲𐑯𐑛 𐑞 ·𐑐𐑨𐑯𐑩𐑤.

𐑥𐑹 𐑪𐑓𐑩𐑯 𐑞𐑨𐑯 𐑯𐑪𐑑, 𐑞 𐑗𐑨𐑤𐑩𐑯𐑡𐑼’𐑟13 𐑲𐑛𐑧𐑯𐑑𐑦𐑑𐑦 𐑦𐑟 𐑜𐑧𐑕𐑑 𐑢𐑧𐑤 𐑳𐑯𐑛𐑼 𐑞 𐑑𐑲𐑥 𐑩𐑤𐑬𐑛. 𐑞 𐑕𐑑𐑿𐑛𐑦𐑴 𐑷𐑛𐑾𐑯𐑕, 𐑣𐑵 𐑸 𐑦𐑯 𐑞 𐑯𐑴, 𐑸 𐑛𐑦𐑤𐑲𐑑𐑩𐑛 𐑢𐑧𐑯 𐑩 𐑗𐑨𐑤𐑩𐑯𐑡𐑼14 𐑕𐑑𐑳𐑥𐑐𐑕 𐑞 ·𐑐𐑨𐑯𐑩𐑤: 𐑯 𐑲 𐑥𐑳𐑕𐑑 𐑒𐑩𐑯𐑓𐑧𐑕 𐑲 𐑜𐑪𐑑 𐑩 𐑔𐑮𐑦𐑤 𐑬𐑑 𐑝 𐑕𐑑𐑳𐑥𐑐𐑦𐑙 𐑞𐑧𐑥 𐑥𐑲𐑕𐑧𐑤𐑓. 𐑚𐑳𐑑 𐑞𐑱 𐑯𐑿 𐑩𐑚𐑬𐑑 ·𐑖𐑱𐑝𐑾𐑯 𐑷𐑤 𐑮𐑲𐑑: 𐑢𐑧𐑯 𐑞 𐑕𐑰𐑒𐑮𐑩𐑑 𐑢𐑪𐑟 𐑮𐑦𐑝𐑰𐑤𐑛 𐑯 𐑲 𐑒𐑱𐑥 𐑛𐑬𐑯 𐑓𐑮𐑪𐑥 𐑞 𐑕𐑑𐑨𐑯𐑛 𐑓 𐑞 𐑝𐑧𐑮𐑦 𐑤𐑲𐑝𐑤𐑦 𐑛𐑦𐑕𐑒𐑳𐑖𐑩𐑯-𐑐𐑽𐑾𐑛 𐑢𐑦𐑗 𐑓𐑪𐑤𐑴𐑛, 𐑞𐑱 𐑤𐑧𐑑 𐑓𐑤𐑲 𐑢𐑦𐑞 𐑞𐑺 𐑨𐑥𐑘𐑩𐑯𐑦𐑖𐑩𐑯15 𐑯 𐑲 𐑚𐑦𐑒𐑱𐑥 𐑞 𐑢𐑳𐑯 𐑗𐑨𐑤𐑩𐑯𐑡𐑛16 — 𐑦𐑯 𐑛𐑦𐑓𐑧𐑯𐑕 𐑝 ·𐑖𐑱𐑝𐑾𐑯. 𐑲 𐑢𐑪𐑟 𐑭𐑕𐑒𐑑 𐑑 𐑮𐑲𐑑 𐑕𐑳𐑥 ·𐑖𐑱𐑝𐑾𐑯 𐑪𐑯 𐑩 𐑤𐑸𐑡 𐑚𐑤𐑨𐑒𐑚𐑹𐑛; 𐑯 𐑞𐑺 𐑮𐑦𐑨𐑒𐑖𐑩𐑯𐑟17 𐑢𐑻 𐑩 𐑥𐑦𐑒𐑕𐑗𐑼 𐑝 𐑢𐑳𐑯𐑛𐑼 𐑯 𐑩𐑥𐑿𐑟𐑥𐑩𐑯𐑑, 𐑝 𐑒𐑘𐑫𐑼𐑦𐑪𐑕𐑦𐑑𐑦 𐑯 𐑬𐑑𐑮𐑲𐑑 𐑕𐑒𐑧𐑐𐑑𐑦𐑕𐑦𐑟𐑩𐑥. 𐑢𐑪𐑟 𐑲 𐑮𐑾𐑤𐑦 𐑕𐑽𐑾𐑕 𐑩𐑚𐑬𐑑 𐑞𐑦𐑕 𐑯𐑿 𐑢𐑱 𐑝 𐑮𐑲𐑑𐑦𐑙? 𐑢𐑪𐑑 𐑜𐑫𐑛 𐑢𐑫𐑛 𐑦𐑑 𐑛𐑵? 𐑢𐑫𐑛 𐑦𐑑 𐑮𐑦𐑐𐑤𐑱𐑕 𐑞 𐑴𐑤𐑛 𐑨𐑤𐑓𐑩𐑚𐑧𐑑 𐑞𐑱’𐑛 𐑑𐑱𐑒𐑩𐑯 𐑷𐑤 𐑞𐑨𐑑 𐑧𐑯𐑛𐑤𐑩𐑕 𐑑𐑮𐑳𐑚𐑩𐑤 𐑑 𐑤𐑻𐑯? 𐑣𐑬 𐑤𐑪𐑙 𐑛𐑦𐑛 𐑦𐑑 𐑑𐑱𐑒 𐑑 𐑚𐑰 𐑱𐑚𐑩𐑤 𐑑 𐑮𐑲𐑑? — 𐑩 𐑕𐑐𐑤𐑧𐑯𐑛𐑦𐑛 𐑪𐑐𐑼𐑑𐑿𐑯𐑦𐑑𐑦 𐑦𐑯 𐑰𐑗 𐑒𐑢𐑧𐑕𐑗𐑩𐑯, 𐑤𐑲𐑑𐑣𐑸𐑑𐑩𐑛, 𐑰𐑝𐑩𐑯 𐑓𐑮𐑦𐑝𐑩𐑤𐑩𐑕 𐑞𐑴 𐑦𐑑 𐑢𐑪𐑟. 𐑞 𐑷𐑛𐑾𐑯𐑕 𐑦𐑯𐑡𐑶𐑛 𐑷𐑤 𐑞𐑦𐑕 𐑜𐑦𐑝-𐑯-𐑑𐑱𐑒 𐑦𐑥𐑧𐑯𐑕𐑤𐑦: 𐑯 𐑞𐑱 𐑮𐑦𐑕𐑐𐑪𐑯𐑛𐑩𐑛 𐑢𐑦𐑞 𐑜𐑮𐑱𐑑 𐑦𐑯𐑔𐑿𐑟𐑦𐑨𐑟𐑩𐑥. 𐑝𐑿𐑼𐑟 𐑮𐑦𐑕𐑐𐑪𐑯𐑛𐑩𐑛 𐑑𐑵, 𐑮𐑲𐑑 𐑩𐑒𐑮𐑪𐑕 ·𐑒𐑨𐑯𐑩𐑛𐑩: 𐑲 𐑢𐑪𐑟 𐑚𐑦𐑟𐑦 𐑓 𐑢𐑰𐑒𐑕 𐑭𐑓𐑑𐑼 𐑞 𐑖𐑴, 𐑭𐑯𐑕𐑼𐑦𐑙 𐑦𐑯𐑒𐑢𐑲𐑼𐑦𐑟 𐑩𐑚𐑬𐑑 ·𐑖𐑱𐑝𐑾𐑯.

𐑷𐑤-𐑦𐑯-𐑷𐑤, 𐑦𐑑 𐑤𐑫𐑒𐑕 𐑨𐑟 𐑞𐑴 ·𐑖𐑱𐑝𐑾𐑯 𐑯 TV 𐑒𐑪𐑥𐑚𐑲𐑯18 𐑢𐑧𐑤. 𐑲 𐑔𐑦𐑙𐑒 𐑬𐑼 𐑴𐑤𐑛 𐑓𐑮𐑧𐑯𐑛 GBS19, 𐑢𐑦𐑞 𐑣𐑦𐑟 𐑦𐑯𐑒𐑪𐑥𐑐𐑼𐑩𐑚𐑩𐑤 𐑓𐑤𐑺 𐑓 𐑖𐑴𐑥𐑩𐑯𐑖𐑦𐑐, 𐑥𐑲𐑑 𐑢𐑧𐑤 𐑣𐑨𐑝 𐑢𐑨𐑜𐑩𐑤𐑛 𐑞𐑴𐑟 𐑓𐑱𐑥𐑩𐑕 𐑲𐑚𐑮𐑬𐑟 𐑦𐑯 𐑖𐑮𐑵𐑛 𐑩𐑐𐑮𐑵𐑝𐑩𐑤 𐑝 𐑕𐑴 𐑿𐑕𐑓𐑩𐑤 𐑩 𐑚𐑤𐑧𐑯𐑛 𐑝 𐑧𐑯𐑑𐑼𐑑𐑱𐑯𐑥𐑩𐑯𐑑, 𐑧𐑡𐑩𐑒𐑱𐑖𐑩𐑯20 𐑯 𐑐𐑳𐑚𐑤𐑦𐑕𐑦𐑑𐑦21.

  1. 𐑗𐑨𐑤𐑦𐑯𐑡 ↩︎ ↩︎

  2. 𐑐𐑪𐑐𐑘𐑫𐑤𐑼 ↩︎

  3. 𐑗𐑨𐑤𐑦𐑯𐑡𐑼𐑟 ↩︎

  4. 𐑕𐑦𐑤𐑧𐑚𐑮𐑦𐑑𐑦𐑟 ↩︎

  5. ·𐑥𐑮 ↩︎

  6. ·𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑰𐑛 𐑑𐑲𐑐𐑴: ‘·𐑑𐑩𐑤𐑪𐑯𐑑𐑴’ ↩︎

  7. 𐑦𐑯𐑛𐑦𐑝𐑦𐑛𐑘𐑫𐑩𐑤𐑟 ↩︎

  8. ·𐑤𐑹𐑩𐑯𐑕 ↩︎

  9. 𐑳𐑯𐑕𐑐𐑶𐑤𐑑 ↩︎

  10. 𐑩𐑯𐑳𐑞𐑼 𐑑𐑲𐑐𐑴 𐑧𐑝𐑦𐑛𐑩𐑯𐑕𐑑 𐑚𐑲 𐑤𐑱𐑑𐑼 𐑕𐑑𐑨𐑯𐑛𐑼𐑛 𐑕𐑐𐑧𐑤𐑦𐑙𐑟: ‘𐑭𐑤’ ↩︎

  11. 𐑗𐑨𐑤𐑦𐑯𐑡𐑼𐑟 ↩︎

  12. 𐑗𐑨𐑤𐑦𐑯𐑡𐑼𐑟 ↩︎

  13. 𐑗𐑨𐑤𐑦𐑯𐑡𐑼’𐑟 ↩︎

  14. 𐑗𐑨𐑤𐑦𐑯𐑡𐑼 ↩︎

  15. 𐑨𐑥𐑘𐑫𐑯𐑦𐑖𐑩𐑯 ↩︎

  16. 𐑗𐑨𐑤𐑦𐑯𐑡𐑛 ↩︎

  17. 𐑮𐑰𐑨𐑒𐑖𐑩𐑯𐑟 ↩︎

  18. 𐑒𐑩𐑥𐑚𐑲𐑯 ↩︎

  19. ·𐑡𐑹𐑡 𐑚𐑻𐑯𐑼𐑛 𐑖𐑷 ↩︎

  20. 𐑧𐑛𐑘𐑫𐑒𐑱𐑖𐑩𐑯 ↩︎

  21. 𐑐𐑩𐑚𐑤𐑦𐑕𐑦𐑑𐑦 ↩︎

]]>Shaw-Script: Issue 1.3 - THE DESPOILERShttps://alexregan.com/nomadic-monotropism/shaw-script-issue-1-3-the-despoilers/Sun, 27 Sep 2026 00:00:00 +0000https://alexregan.com/nomadic-monotropism/shaw-script-issue-1-3-the-despoilers/<h2 id="𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼𐑟-𐑯𐑴𐑑">𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑</h2> <p>𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑧𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑓𐑮𐑪𐑥 <a href="https://www.shavian.info/books/">https://www.shavian.info/books/</a>. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑨𐑝 𐑳𐑐𐑛𐑱𐑑𐑩𐑛 𐑕𐑐𐑧𐑤𐑦𐑙 𐑦𐑯 𐑕𐑦𐑤𐑧𐑒𐑑 𐑐𐑤𐑱𐑕𐑩𐑟 𐑢𐑺 𐑲 𐑕𐑩𐑕𐑐𐑧𐑒𐑑 𐑧𐑮𐑼 𐑹 𐑢𐑺 𐑲 𐑗𐑵𐑟 𐑑 𐑓𐑪𐑤𐑴 𐑞 ·𐑮𐑰𐑛-𐑤𐑧𐑒𐑕 𐑕𐑑𐑨𐑯𐑛𐑼𐑛 𐑨𐑟 𐑦𐑥𐑐𐑤𐑦𐑥𐑧𐑯𐑑𐑩𐑛 𐑚𐑲 𐑞 <a href="https://shaw-spell.joro.io/">·𐑖𐑷-𐑕𐑐𐑧𐑤 𐑑𐑵𐑤</a> 𐑓𐑮𐑪𐑥 <a href="https://joro.io/">·𐑡𐑹𐑴</a>. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.</p>𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑

𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑧𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑓𐑮𐑪𐑥 https://www.shavian.info/books/. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑨𐑝 𐑳𐑐𐑛𐑱𐑑𐑩𐑛 𐑕𐑐𐑧𐑤𐑦𐑙 𐑦𐑯 𐑕𐑦𐑤𐑧𐑒𐑑 𐑐𐑤𐑱𐑕𐑩𐑟 𐑢𐑺 𐑲 𐑕𐑩𐑕𐑐𐑧𐑒𐑑 𐑧𐑮𐑼 𐑹 𐑢𐑺 𐑲 𐑗𐑵𐑟 𐑑 𐑓𐑪𐑤𐑴 𐑞 ·𐑮𐑰𐑛-𐑤𐑧𐑒𐑕 𐑕𐑑𐑨𐑯𐑛𐑼𐑛 𐑨𐑟 𐑦𐑥𐑐𐑤𐑦𐑥𐑧𐑯𐑑𐑩𐑛 𐑚𐑲 𐑞 ·𐑖𐑷-𐑕𐑐𐑧𐑤 𐑑𐑵𐑤 𐑓𐑮𐑪𐑥 ·𐑡𐑹𐑴. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.

𐑞 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑦𐑖𐑵 𐑢𐑳𐑯 𐑒𐑨𐑯 𐑚𐑰 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑣𐑽.

·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑

THE DESPOILERS

JACK CANTY

𐑢𐑧𐑯 𐑲 𐑥𐑵𐑝𐑛 𐑑 ·𐑐𐑻𐑚𐑮𐑫𐑒, 𐑩 𐑢𐑳𐑯𐑛𐑼𐑓𐑩𐑤 𐑔𐑦𐑙 𐑣𐑨𐑐𐑩𐑯𐑛 𐑑 𐑥𐑰: 𐑲 𐑚𐑦𐑒𐑱𐑥 𐑩 𐑑𐑮𐑳𐑕𐑑𐑰 𐑝 𐑕𐑳𐑥 𐑑𐑮𐑰𐑟. 𐑲 𐑛𐑵 𐑯𐑪𐑑 𐑕𐑱 𐑴𐑯𐑼, 𐑞𐑴 𐑲 𐑚𐑦𐑒𐑱𐑥 𐑴𐑯𐑼 𐑦𐑯 𐑤𐑷, 𐑓 𐑣𐑬 𐑒𐑨𐑯 𐑢𐑳𐑯 “𐑴𐑯” 𐑩 𐑑𐑮𐑰? 𐑞𐑨𐑑 𐑣𐑨𐑟 𐑦𐑑𐑕 𐑴𐑯 𐑤𐑲𐑓 𐑦𐑯 𐑞 𐑴𐑐𐑩𐑯 𐑺, 𐑯𐑴𐑟 𐑷𐑤 𐑢𐑧𐑞𐑼𐑟, 𐑯 𐑣𐑨𐑟 𐑩𐑯𐑳𐑞𐑼 𐑕𐑰𐑒𐑮𐑩𐑑 𐑤𐑲𐑓 𐑦𐑯 𐑞 𐑛𐑸𐑒 𐑻𐑔. 𐑞𐑨𐑑 𐑣𐑨𐑟 𐑤𐑦𐑝𐑛 𐑚𐑦𐑓𐑹 𐑢𐑳𐑯 𐑯 𐑖𐑫𐑛 𐑒𐑩𐑯𐑑𐑦𐑯𐑿 𐑤𐑪𐑙 𐑭𐑓𐑑𐑼.

𐑞𐑺 𐑸 𐑐𐑰𐑐𐑩𐑤, 𐑝 𐑒𐑹𐑕, 𐑣𐑵 𐑑𐑱𐑒 𐑴𐑝𐑼 𐑩 𐑣𐑬𐑕 𐑯 𐑨𐑑 𐑢𐑳𐑯𐑕 𐑒𐑳𐑑 𐑛𐑬𐑯 𐑹 𐑥𐑿𐑑𐑦𐑤𐑱𐑑 𐑞 𐑑𐑮𐑰𐑟. 𐑛𐑵 𐑞𐑱 𐑜𐑦𐑝 𐑩 𐑔𐑷𐑑 𐑑 𐑞 𐑤𐑪𐑙-𐑤𐑦𐑝𐑛 𐑒𐑮𐑰𐑗𐑼𐑟 𐑞𐑱 𐑸 𐑛𐑦𐑕𐑑𐑮𐑶𐑦𐑙 𐑹 𐑛𐑦𐑕𐑥𐑧𐑥𐑚𐑼𐑦𐑙? 𐑩 𐑣𐑧𐑤𐑔𐑦 𐑑𐑮𐑰, 𐑐𐑼𐑣𐑨𐑐𐑕 𐑣𐑳𐑯𐑛𐑮𐑩𐑛𐑟 𐑝 𐑘𐑽𐑟 𐑴𐑤𐑛, 𐑦𐑟 𐑒𐑳𐑑 𐑛𐑬𐑯 𐑦𐑯 𐑦𐑑𐑕 𐑐𐑮𐑲𐑥 𐑚𐑲 𐑩 𐑥𐑹𐑑𐑩𐑤 𐑝 𐑕𐑳𐑥 𐑕𐑦𐑒𐑕𐑑𐑦 𐑘𐑽𐑟 𐑕𐑐𐑨𐑯, 𐑯 𐑓𐑿𐑗𐑼 𐑡𐑧𐑯𐑼𐑱𐑖𐑩𐑯𐑟 𐑝 𐑥𐑧𐑯, 𐑚𐑻𐑛𐑟, 𐑯 𐑳𐑞𐑼 𐑒𐑮𐑰𐑗𐑼𐑟 𐑸 𐑛𐑦𐑐𐑮𐑲𐑝𐑛 𐑝 𐑦𐑑𐑕 𐑿𐑕 𐑯 𐑜𐑤𐑹𐑦. 𐑕𐑳𐑥𐑑𐑲𐑥𐑟, 𐑢𐑺 𐑢𐑲𐑛 𐑓𐑸𐑥𐑤𐑨𐑯𐑛𐑟 𐑸 𐑒𐑤𐑽𐑛, 𐑤𐑴𐑒𐑩𐑤 𐑒𐑤𐑲𐑥𐑩𐑑 𐑥𐑱 𐑚𐑰 𐑩𐑓𐑧𐑒𐑑𐑩𐑛; 𐑕𐑳𐑗 𐑦𐑟 𐑞 𐑛𐑧𐑤𐑦𐑒𐑩𐑑 𐑚𐑨𐑤𐑩𐑯𐑕 𐑝 𐑯𐑱𐑗𐑼. 𐑲 𐑛𐑴𐑯𐑑 𐑕𐑱 𐑞𐑨𐑑 𐑢𐑰 𐑖𐑫𐑛 𐑯𐑧𐑝𐑼 𐑤𐑪𐑐 𐑹 𐑒𐑳𐑑 𐑛𐑬𐑯 𐑑𐑮𐑰𐑟. 𐑲 𐑥𐑲𐑑 𐑛𐑵 𐑦𐑑 𐑥𐑲𐑕𐑧𐑤𐑓, 𐑚𐑳𐑑 𐑯𐑪𐑑 𐑢𐑦𐑞𐑬𐑑 𐑕𐑽𐑾𐑕 𐑔𐑷𐑑 𐑹 𐑢𐑦𐑞𐑬𐑑 𐑮𐑾𐑤𐑲𐑟𐑦𐑙 𐑞 𐑜𐑮𐑱𐑑 𐑮𐑦𐑕𐑐𐑪𐑯𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑦𐑯𐑝𐑪𐑤𐑝𐑛. 𐑐𐑼𐑣𐑨𐑐𐑕 𐑢𐑦𐑞 𐑑𐑮𐑰𐑟, 𐑑𐑵, 𐑞𐑺 𐑸 𐑩𐑒𐑱𐑠𐑩𐑯𐑟 𐑓 𐑡𐑳𐑕𐑑𐑦𐑓𐑲𐑩𐑚𐑩𐑤 𐑣𐑪𐑥𐑦𐑕𐑲𐑛, 𐑞𐑴 𐑯𐑪𐑑 𐑓 𐑥𐑻𐑛𐑼.

𐑚𐑳𐑑 𐑲 𐑨𐑥 𐑕𐑲𐑛𐑑𐑮𐑨𐑒𐑦𐑙; 𐑥𐑲 𐑔𐑰𐑥 𐑦𐑟 𐑩 𐑐𐑼𐑑𐑦𐑒𐑘𐑩𐑤𐑼 𐑕𐑥𐑷𐑤 𐑑𐑮𐑰 𐑯 𐑚𐑤𐑨𐑒𐑚𐑻𐑛𐑟. 𐑞𐑦𐑕 𐑦𐑟 𐑩 𐑣𐑨𐑯𐑛𐑕𐑩𐑥 𐑥𐑬𐑯𐑑𐑩𐑯 𐑨𐑖, 𐑤𐑸𐑡𐑼 𐑞𐑨𐑯 𐑦𐑟 𐑪𐑓𐑩𐑯 𐑕𐑰𐑯 𐑦𐑯 𐑕𐑥𐑷𐑤 𐑜𐑸𐑛𐑩𐑯𐑟. 𐑦𐑑 𐑦𐑟 𐑦𐑯 𐑞 𐑓𐑮𐑳𐑯𐑑 𐑜𐑸𐑛𐑩𐑯, 𐑴𐑯𐑤𐑦 𐑩 𐑓𐑿 𐑘𐑸𐑛𐑟 𐑓𐑮𐑪𐑥 𐑥𐑲 𐑚𐑧𐑛𐑮𐑵𐑥 𐑢𐑦𐑯𐑛𐑴. 𐑨𐑟 𐑞𐑦𐑕 𐑦𐑟 𐑪𐑯 𐑜𐑮𐑬𐑯𐑛 𐑤𐑧𐑝𐑩𐑤, 𐑲 𐑒𐑨𐑯 𐑤𐑫𐑒 𐑳𐑐 𐑨𐑑 𐑞 𐑑𐑮𐑰 𐑓𐑮𐑪𐑥 𐑥𐑲 𐑚𐑧𐑛 𐑚𐑦𐑓𐑹 𐑥𐑲 𐑢𐑻𐑒𐑦𐑙 𐑛𐑱 𐑚𐑦𐑜𐑦𐑯𐑟. 𐑲 𐑕𐑰 𐑦𐑑 𐑤𐑦𐑑 𐑚𐑲 𐑞 𐑻𐑤𐑦 𐑕𐑳𐑯.

𐑲 𐑣𐑨𐑝 𐑕𐑰𐑯 𐑦𐑑 𐑦𐑯 𐑢𐑦𐑯𐑑𐑼, 𐑕𐑐𐑸𐑒𐑤𐑦𐑙 𐑢𐑦𐑞 𐑓𐑮𐑪𐑕𐑑, 𐑚𐑦𐑛𐑧𐑒𐑑 𐑢𐑦𐑞 𐑕𐑯𐑴, 𐑹 𐑛𐑦𐑕𐑐𐑤𐑱𐑦𐑙 𐑦𐑑𐑕 𐑚𐑺, 𐑛𐑸𐑒 𐑕𐑦𐑤𐑵𐑧𐑑 𐑩𐑜𐑧𐑯𐑕𐑑 𐑩 𐑐𐑻𐑤-𐑜𐑮𐑱 𐑕𐑒𐑲. 𐑲 𐑣𐑨𐑝 𐑢𐑪𐑗𐑑 𐑦𐑑 𐑦𐑯 𐑕𐑐𐑮𐑦𐑙 𐑨𐑟 𐑑𐑲𐑯𐑦 𐑤𐑰𐑓 𐑚𐑳𐑛𐑟 𐑕𐑢𐑧𐑤 𐑛𐑱 𐑚𐑲 𐑛𐑱 𐑯 𐑓𐑲𐑯𐑩𐑤𐑦 𐑴𐑐𐑩𐑯 𐑞𐑺 𐑓𐑧𐑞𐑼𐑦 𐑕𐑐𐑤𐑱𐑟. 𐑩 𐑤𐑦𐑑𐑩𐑤 𐑤𐑱𐑑𐑼, 𐑞 𐑑𐑮𐑰 𐑦𐑟 𐑢𐑲𐑑 𐑢𐑦𐑞 𐑩 𐑛𐑦𐑓𐑼𐑩𐑯𐑑 𐑕𐑯𐑴 𐑨𐑟 𐑓𐑤𐑬𐑼𐑟 𐑩𐑐𐑽. 𐑦𐑯 𐑕𐑳𐑥𐑼, 𐑲 𐑣𐑨𐑝 𐑕𐑰𐑯 𐑞 𐑤𐑰𐑓𐑤𐑩𐑑𐑕 𐑕𐑳𐑛𐑩𐑯𐑤𐑦, 𐑥𐑴𐑥𐑩𐑯𐑑𐑤𐑦 𐑑𐑦𐑤𐑑 𐑚𐑨𐑒 𐑨𐑟 𐑞𐑱 𐑮𐑦𐑕𐑰𐑝 𐑞 𐑣𐑧𐑝𐑦 𐑓𐑻𐑕𐑑 𐑮𐑱𐑯𐑛𐑮𐑪𐑐𐑕 𐑝 𐑩 𐑔𐑮𐑧𐑑𐑩𐑯𐑦𐑙 𐑕𐑑𐑹𐑥.

𐑜𐑮𐑰𐑯 𐑚𐑧𐑮𐑦𐑟 𐑚𐑦𐑜𐑦𐑯 𐑑 𐑓𐑹𐑥 𐑦𐑯 𐑡𐑵𐑯, 𐑗𐑱𐑯𐑡𐑦𐑙 𐑢𐑦𐑞𐑦𐑯 𐑕𐑧𐑝𐑩𐑯 𐑹 𐑱𐑑 𐑢𐑰𐑒𐑕 𐑑 𐑩 𐑜𐑤𐑹𐑾𐑕 𐑪𐑮𐑦𐑯𐑡. 𐑥𐑨𐑕𐑩𐑟 𐑝 𐑞𐑧𐑥 𐑞𐑧𐑯 𐑚𐑦𐑡𐑵𐑩𐑤 𐑞 𐑑𐑮𐑰. 𐑭𐑓𐑑𐑼 𐑞𐑦𐑕, 𐑞𐑱 𐑖𐑫𐑛 𐑑𐑻𐑯 𐑑 𐑩 𐑚𐑮𐑦𐑤𐑾𐑯𐑑 𐑝𐑼𐑥𐑦𐑤𐑾𐑯. 𐑯 𐑞𐑦𐑕 𐑦𐑟 𐑢𐑺 𐑞 𐑚𐑻𐑛𐑟 𐑕𐑑𐑧𐑐 𐑦𐑯.

𐑦𐑯 𐑥𐑲 𐑓𐑻𐑕𐑑 𐑕𐑳𐑥𐑼 𐑣𐑽, 𐑲 𐑔𐑷𐑑 𐑢𐑰 𐑢𐑻 𐑜𐑴𐑦𐑙 𐑑 𐑣𐑨𐑝 𐑞𐑦𐑕 𐑜𐑮𐑨𐑯𐑛 𐑛𐑦𐑕𐑐𐑤𐑱 𐑝 𐑮𐑧𐑛 𐑚𐑧𐑮𐑦𐑟 𐑷𐑤 𐑔𐑮𐑵 𐑞 𐑷𐑑𐑩𐑥 𐑯 𐑢𐑦𐑯𐑑𐑼, 𐑓 𐑞𐑦𐑕 𐑦𐑟 𐑢𐑪𐑑 𐑣𐑨𐑐𐑩𐑯𐑛 𐑧𐑤𐑕𐑢𐑺. 𐑞 𐑚𐑤𐑨𐑒𐑚𐑻𐑛𐑟 𐑯 𐑩 𐑓𐑿 𐑔𐑮𐑳𐑖𐑩𐑟 𐑛𐑦𐑕𐑲𐑛𐑩𐑛 𐑳𐑞𐑼𐑢𐑲𐑟.

𐑚𐑦𐑓𐑹 𐑞 𐑚𐑧𐑮𐑦𐑟 𐑢𐑻 𐑒𐑢𐑲𐑑 𐑮𐑲𐑐, 𐑢𐑧𐑯 𐑩 𐑝𐑲𐑩𐑤𐑩𐑯𐑑 𐑑𐑳𐑜 𐑯 𐑖𐑱𐑒 𐑝 𐑞 𐑚𐑮𐑭𐑯𐑗 𐑢𐑪𐑟 𐑯𐑰𐑛𐑩𐑛 𐑑 𐑛𐑦𐑕𐑤𐑪𐑡 𐑩 𐑚𐑧𐑮𐑦, 𐑞 𐑚𐑻𐑛𐑟 𐑚𐑦𐑜𐑨𐑯 𐑑 𐑚𐑮𐑧𐑒𐑓𐑩𐑕𐑑 𐑪𐑯 𐑞 𐑥𐑬𐑯𐑑𐑩𐑯 𐑨𐑖. 𐑦𐑓 𐑞𐑱 𐑜𐑹𐑡𐑛 𐑛𐑘𐑫𐑼𐑦𐑙 𐑞 𐑛𐑱, 𐑲 𐑢𐑪𐑟 𐑯𐑪𐑑 𐑞𐑺 𐑑 𐑕𐑰. 𐑕𐑑𐑸𐑑𐑦𐑙 𐑢𐑦𐑞 𐑞 𐑥𐑴𐑕𐑑 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑩𐑤 𐑕𐑐𐑤𐑱𐑟, 𐑞 𐑚𐑤𐑨𐑒𐑚𐑻𐑛𐑟 𐑕𐑑𐑳𐑓𐑑 𐑞𐑩𐑥𐑕𐑧𐑤𐑝𐑟 𐑢𐑦𐑞 𐑞 𐑳𐑑𐑥𐑴𐑕𐑑 𐑜𐑮𐑰𐑛, 𐑢𐑻𐑒𐑦𐑙 𐑔𐑮𐑵 𐑩 𐑣𐑴𐑤 𐑚𐑳𐑯𐑗 𐑦𐑯 𐑯𐑴 𐑑𐑲𐑥 𐑨𐑑 𐑷𐑤. 𐑰𐑗 𐑛𐑱 𐑕𐑷 𐑞 𐑑𐑮𐑰 𐑥𐑹 𐑛𐑦𐑐𐑤𐑰𐑑𐑩𐑛 𐑩𐑯𐑑𐑦𐑤, 𐑚𐑲 𐑞 𐑔𐑻𐑛 𐑢𐑰𐑒 𐑦𐑯 𐑷𐑜𐑩𐑕𐑑, 𐑞𐑺 𐑢𐑻 𐑴𐑯𐑤𐑦 𐑩 𐑓𐑿 𐑤𐑱𐑑-𐑓𐑹𐑥𐑛 𐑹 𐑬𐑑-𐑝-𐑮𐑰𐑗 𐑚𐑧𐑮𐑦𐑟 𐑤𐑧𐑓𐑑. 𐑞 𐑚𐑻𐑛𐑟 𐑢𐑻 𐑯𐑪𐑑 𐑛𐑦𐑑𐑻𐑛, 𐑣𐑬𐑧𐑝𐑼. 𐑞𐑱 𐑐𐑻𐑕𐑩𐑝𐑽𐑛, 𐑐𐑻𐑗𐑦𐑙 𐑐𐑮𐑦𐑒𐑺𐑾𐑕𐑤𐑦 𐑪𐑯 𐑢𐑰𐑒 𐑬𐑑𐑼 𐑑𐑢𐑦𐑜𐑟, 𐑓𐑤𐑨𐑐𐑦𐑙 𐑞𐑺 𐑢𐑦𐑙𐑟 𐑑 𐑮𐑦𐑑𐑱𐑯 𐑞𐑺 𐑚𐑨𐑤𐑩𐑯𐑕, 𐑯 𐑕𐑑𐑮𐑧𐑗𐑦𐑙 𐑬𐑑 𐑞𐑺 𐑯𐑧𐑒𐑕 𐑩𐑯𐑑𐑦𐑤 𐑞 𐑤𐑭𐑕𐑑 𐑕𐑨𐑛 𐑚𐑧𐑮𐑦𐑟 𐑣𐑨𐑛 𐑛𐑦𐑕𐑩𐑐𐑽𐑛.

𐑢𐑪𐑑 𐑛𐑳𐑟 𐑞 𐑥𐑬𐑯𐑑𐑩𐑯 𐑨𐑖 𐑓𐑰𐑤 𐑩𐑚𐑬𐑑 𐑞𐑦𐑕 𐑢𐑪𐑯𐑑𐑩𐑯 𐑛𐑦𐑕𐑑𐑮𐑶𐑦𐑙 𐑝 𐑷𐑤 𐑦𐑑𐑟 𐑣𐑸𐑛 𐑢𐑻𐑒? 𐑢𐑳𐑯 𐑣𐑸𐑛𐑤𐑦 𐑒𐑺𐑟 𐑑 𐑔𐑦𐑙𐑒. 𐑐𐑼𐑣𐑨𐑐𐑕 𐑦𐑯 𐑕𐑳𐑥 𐑪𐑛 𐑒𐑹𐑯𐑼 𐑝 𐑞 𐑓𐑰𐑤𐑛, 𐑩 𐑕𐑰𐑛 𐑛𐑮𐑪𐑐𐑑 𐑚𐑲 𐑩 𐑚𐑻𐑛 𐑢𐑦𐑤 𐑕𐑐𐑮𐑬𐑑, 𐑯 𐑞𐑦𐑕 𐑢𐑦𐑤 𐑚𐑰 𐑕𐑳𐑥 𐑥𐑰𐑜𐑼 𐑒𐑪𐑥𐑐𐑧𐑯𐑕𐑱𐑖𐑩𐑯. 𐑓 𐑥𐑲 𐑐𐑸𐑑, 𐑨𐑟 𐑢𐑰 𐑓𐑰𐑛 𐑞𐑰𐑟 𐑚𐑻𐑛𐑟 𐑡𐑧𐑯𐑼𐑩𐑕𐑤𐑦, 𐑲 𐑨𐑥 𐑮𐑭𐑞𐑼 𐑮𐑦𐑟𐑧𐑯𐑑𐑓𐑩𐑤 𐑴𐑝𐑼 𐑞 𐑤𐑪𐑕 𐑝 𐑥𐑲 𐑷𐑑𐑩𐑥 𐑯 𐑢𐑦𐑯𐑑𐑼 𐑜𐑤𐑹𐑦.

]]>Shaw-Script: Issue 1.2 - LETTER FROM AMERICAhttps://alexregan.com/nomadic-monotropism/shaw-script-issue-1-2-letter-from-america/Wed, 23 Sep 2026 12:00:00 +0000https://alexregan.com/nomadic-monotropism/shaw-script-issue-1-2-letter-from-america/<h2 id="𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼𐑟-𐑯𐑴𐑑">𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑</h2> <p>𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑧𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑓𐑮𐑪𐑥 <a href="https://www.shavian.info/books/">https://www.shavian.info/books/</a>. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑨𐑝 𐑳𐑐𐑛𐑱𐑑𐑩𐑛 𐑕𐑐𐑧𐑤𐑦𐑙 𐑦𐑯 𐑕𐑦𐑤𐑧𐑒𐑑 𐑐𐑤𐑱𐑕𐑩𐑟 𐑢𐑺 𐑲 𐑕𐑩𐑕𐑐𐑧𐑒𐑑 𐑧𐑮𐑼 𐑹 𐑢𐑺 𐑲 𐑗𐑵𐑟 𐑑 𐑓𐑪𐑤𐑴 𐑞 ·𐑮𐑰𐑛-𐑤𐑧𐑒𐑕 𐑕𐑑𐑨𐑯𐑛𐑼𐑛 𐑨𐑟 𐑦𐑥𐑐𐑤𐑦𐑥𐑧𐑯𐑑𐑩𐑛 𐑚𐑲 𐑞 <a href="https://shaw-spell.joro.io/">·𐑖𐑷-𐑕𐑐𐑧𐑤 𐑑𐑵𐑤</a> 𐑓𐑮𐑪𐑥 <a href="https://joro.io/">·𐑡𐑹𐑴</a>. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.</p>𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑

𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑧𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑓𐑮𐑪𐑥 https://www.shavian.info/books/. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑨𐑝 𐑳𐑐𐑛𐑱𐑑𐑩𐑛 𐑕𐑐𐑧𐑤𐑦𐑙 𐑦𐑯 𐑕𐑦𐑤𐑧𐑒𐑑 𐑐𐑤𐑱𐑕𐑩𐑟 𐑢𐑺 𐑲 𐑕𐑩𐑕𐑐𐑧𐑒𐑑 𐑧𐑮𐑼 𐑹 𐑢𐑺 𐑲 𐑗𐑵𐑟 𐑑 𐑓𐑪𐑤𐑴 𐑞 ·𐑮𐑰𐑛-𐑤𐑧𐑒𐑕 𐑕𐑑𐑨𐑯𐑛𐑼𐑛 𐑨𐑟 𐑦𐑥𐑐𐑤𐑦𐑥𐑧𐑯𐑑𐑩𐑛 𐑚𐑲 𐑞 ·𐑖𐑷-𐑕𐑐𐑧𐑤 𐑑𐑵𐑤 𐑓𐑮𐑪𐑥 ·𐑡𐑹𐑴. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.

𐑞 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑦𐑖𐑵 𐑢𐑳𐑯 𐑒𐑨𐑯 𐑚𐑰 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑣𐑽.

·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑

LETTER FROM AMERICA

WARREN S. SMITH

𐑲 𐑨𐑥 𐑮𐑲𐑑𐑦𐑙 𐑞𐑦𐑕 𐑦𐑯 𐑩 𐑕𐑧𐑥𐑩𐑑𐑼𐑦1, 𐑝 𐑷𐑤 𐑐𐑤𐑱𐑕𐑩𐑟! 𐑦𐑑 𐑦𐑟 𐑩 𐑑𐑲𐑯𐑦 𐑢𐑳𐑯, 𐑯 𐑢𐑪𐑑2 𐑢𐑰 𐑓𐑴𐑒𐑕 𐑦𐑯 ·𐑩𐑥𐑧𐑮𐑦𐑒𐑩 𐑒𐑷𐑤 𐑩𐑯 𐑴𐑤𐑛 𐑢𐑳𐑯, 𐑞𐑴 𐑓 𐑿 𐑦𐑯 ·𐑦𐑙𐑜𐑤𐑩𐑯𐑛 𐑦𐑑 𐑢𐑫𐑛 𐑚𐑰 𐑓𐑸 𐑖𐑹𐑑 𐑝 𐑥𐑦𐑛𐑩𐑤-𐑱𐑡𐑩𐑛. 𐑞 𐑕𐑑𐑴𐑯𐑟 𐑛𐑱𐑑 𐑚𐑨𐑒 𐑑 𐑩𐑚𐑬𐑑 1800. 𐑞𐑱 𐑸 𐑦𐑯𐑒𐑤𐑴𐑟𐑛 𐑚𐑲 𐑩 𐑓𐑧𐑯𐑕, 𐑦𐑯 𐑩𐑯 𐑺𐑾 𐑐𐑼𐑣𐑨𐑐𐑕 𐑩 𐑣𐑳𐑯𐑛𐑮𐑩𐑛 𐑓𐑰𐑑 𐑕𐑒𐑢𐑺. 𐑦𐑑 𐑦𐑟 𐑥𐑱𐑯𐑑𐑱𐑯𐑛, 𐑯𐑪𐑑 𐑑𐑵 𐑢𐑧𐑤, 𐑚𐑲 𐑛𐑦𐑕𐑧𐑯𐑛𐑩𐑯𐑑𐑕.

𐑞𐑦𐑕 𐑦𐑟 𐑩 𐑓𐑨𐑥𐑦𐑤𐑦 𐑕𐑧𐑥𐑩𐑑𐑼𐑦1: 𐑦𐑑 𐑦𐑟 𐑒𐑤𐑽 𐑞𐑨𐑑 𐑞 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑕𐑧𐑑𐑤𐑼𐑟 𐑣𐑽 𐑢𐑻 𐑞 ·𐑛𐑱𐑤 𐑓𐑨𐑥𐑦𐑤𐑦, 𐑞𐑴 𐑨𐑟 𐑛𐑱𐑑𐑕 𐑜𐑴 𐑳𐑐 𐑑𐑩𐑢𐑹𐑛3 𐑥𐑦𐑛-𐑕𐑧𐑯𐑗𐑼𐑦, 𐑳𐑞𐑼 𐑯𐑱𐑥𐑟 𐑩𐑐𐑽: 𐑞𐑱 𐑸 𐑪𐑚𐑝𐑾𐑕𐑤𐑦 𐑦𐑯-𐑤𐑷𐑟.

𐑛𐑬𐑯 𐑴𐑝𐑼 𐑞 𐑣𐑦𐑤 𐑦𐑟 𐑞 𐑴𐑤𐑛𐑩𐑕𐑑 𐑣𐑬𐑕 𐑦𐑯 ·𐑤𐑦𐑥𐑩𐑯𐑑4, 𐑯𐑬 𐑚𐑿𐑑𐑦𐑓𐑩𐑤𐑦 𐑮𐑦𐑕𐑑𐑹𐑛 𐑯 𐑕𐑑𐑦𐑤 𐑪𐑒𐑘𐑩𐑐𐑲𐑛5. 𐑞𐑨𐑑 𐑢𐑪𐑟 𐑞 𐑴𐑤𐑛 ·𐑛𐑱𐑤 𐑣𐑴𐑥𐑕𐑑𐑧𐑛, 𐑤𐑲𐑦𐑙 𐑩𐑥𐑳𐑙 𐑞 𐑮𐑴𐑤𐑦𐑙 𐑣𐑦𐑤𐑟 𐑝 𐑕𐑧𐑯𐑑𐑮𐑩𐑤 ·𐑐𐑧𐑯𐑕𐑦𐑤𐑝𐑱𐑯𐑾. 𐑷𐑤 𐑞 𐑤𐑨𐑯𐑛 𐑢𐑦𐑞𐑦𐑯 𐑞 𐑯𐑽𐑩𐑕𐑑 𐑮𐑦𐑥 𐑝 𐑣𐑦𐑤𐑟 𐑢𐑪𐑟 𐑐𐑮𐑪𐑚𐑩𐑚𐑤𐑦 𐑢𐑳𐑯 𐑚𐑦𐑜 𐑓𐑸𐑥 𐑦𐑯 𐑞 𐑤𐑱𐑑 1700𐑟, 𐑢𐑧𐑯6 𐑞 𐑕𐑧𐑑𐑤𐑼𐑟 𐑥𐑵𐑝𐑛 𐑦𐑯. 𐑞𐑦𐑕 𐑤𐑨𐑯𐑛 𐑢𐑪𐑟 𐑯𐑪𐑑 𐑪𐑯 𐑢𐑳𐑯 𐑝 𐑞 𐑥𐑱𐑯 𐑮𐑴𐑛𐑢𐑱𐑟 𐑑 𐑞 ·𐑢𐑧𐑕𐑑, 𐑕𐑴 𐑞𐑱 𐑥𐑳𐑕𐑑 𐑣𐑨𐑝 𐑚𐑦𐑯7 𐑒𐑳𐑑 𐑪𐑓 𐑓𐑮𐑪𐑥 𐑕𐑦𐑝𐑦𐑤𐑲𐑟𐑱𐑖𐑩𐑯. 𐑞 𐑑𐑬𐑯 𐑝 ·𐑚𐑧𐑤𐑓𐑪𐑯𐑑 [Bellefonte] 𐑢𐑪𐑟 𐑐𐑮𐑦𐑟𐑿𐑥𐑩𐑚𐑤𐑦 𐑯𐑱𐑥𐑛 𐑚𐑲 ·𐑤𐑭𐑓𐑱𐑧𐑑 𐑯 𐑢𐑪𐑟 𐑷𐑤𐑮𐑧𐑛𐑦 𐑦𐑯 𐑦𐑜𐑟𐑦𐑕𐑑𐑩𐑯𐑕, 𐑩𐑚𐑬𐑑 𐑑𐑧𐑯 𐑥𐑲𐑤𐑟 𐑛𐑦𐑕𐑑𐑩𐑯𐑑 — 𐑒𐑢𐑲𐑑 𐑩 𐑡𐑷𐑯𐑑 𐑦𐑯 𐑞𐑴𐑟 𐑯𐑽𐑤𐑦 𐑮𐑴𐑛𐑤𐑩𐑕 𐑛𐑱𐑟.

𐑞 𐑕𐑧𐑥𐑩𐑑𐑼𐑦1 𐑚𐑺𐑟 𐑢𐑦𐑑𐑯𐑩𐑕 𐑑 𐑣𐑬 𐑣𐑸𐑛 𐑤𐑲𐑓 𐑢𐑪𐑟. 𐑞𐑺 𐑸 𐑥𐑧𐑯𐑦 𐑤𐑦𐑑𐑩𐑤 𐑯𐑱𐑥𐑤𐑩𐑕 𐑕𐑑𐑴𐑯𐑟: 𐑯 𐑮𐑰𐑛𐑦𐑙 𐑡𐑳𐑕𐑑 𐑓𐑮𐑪𐑥 𐑢𐑺 𐑲 𐑕𐑦𐑑, 𐑲 𐑕𐑰: ‘𐑱𐑡𐑛 11 𐑥𐑳𐑯𐑔𐑕 𐑯 20 𐑛𐑱𐑟; 𐑱𐑡𐑛 35; 𐑱𐑡𐑛 22; 𐑱𐑡𐑛 14’. 𐑤𐑲𐑓 𐑢𐑪𐑟 𐑖𐑹𐑑𐑼 𐑧𐑝𐑮𐑦𐑢𐑺 𐑦𐑯 𐑞𐑴𐑟 𐑛𐑱𐑟. 𐑚𐑳𐑑 𐑢𐑳𐑯 𐑥𐑳𐑕𐑑 𐑒𐑳𐑥 𐑳𐑐 𐑣𐑽 𐑯 𐑥𐑧𐑛𐑦𐑑𐑱𐑑 𐑯𐑬 𐑯 𐑞𐑧𐑯 𐑑 𐑮𐑦𐑒𐑷𐑤 𐑣𐑬 𐑕𐑧𐑤𐑓-𐑕𐑩𐑓𐑦𐑖𐑩𐑯𐑑 𐑞𐑴𐑟 𐑐𐑲𐑩𐑯𐑽 𐑓𐑨𐑥𐑦𐑤𐑦𐑟 𐑣𐑨𐑛 𐑑 𐑚𐑰. 𐑢𐑰 𐑣𐑨𐑝 𐑕𐑴 𐑮𐑴𐑥𐑨𐑯𐑑𐑦𐑕𐑲𐑟𐑛 𐑞𐑧𐑥 𐑦𐑯 𐑤𐑦𐑑𐑼𐑩𐑗𐑼, 𐑛𐑮𐑭𐑥𐑩 𐑯 𐑤𐑧𐑡𐑩𐑯𐑛, 𐑞𐑨𐑑 𐑢𐑰 𐑣𐑨𐑝 𐑷𐑤 𐑚𐑳𐑑 𐑤𐑪𐑕𐑑 𐑕𐑲𐑑 𐑝 𐑞 𐑚𐑦𐑑𐑼, 𐑤𐑴𐑯𐑤𐑦 𐑕𐑑𐑮𐑳𐑜𐑩𐑤 𐑦𐑑 𐑥𐑳𐑕𐑑 𐑣𐑨𐑝 𐑚𐑦𐑯.

𐑞𐑦𐑕 𐑕𐑐𐑪𐑑 𐑦𐑟 𐑓𐑦𐑓𐑑𐑰𐑯 𐑥𐑦𐑯𐑦𐑑𐑕 𐑢𐑷𐑒 𐑳𐑐 𐑞 𐑣𐑦𐑤𐑕𐑲𐑛 𐑚𐑦𐑣𐑲𐑯𐑛 𐑥𐑲 𐑣𐑬𐑕. 𐑓 𐑩 𐑑𐑲𐑥 𐑲 𐑓𐑼𐑜𐑧𐑑 𐑦𐑑𐑕 𐑦𐑜𐑟𐑦𐑕𐑑𐑩𐑯𐑕: 𐑞𐑧𐑯 𐑪𐑯 𐑩 𐑕𐑳𐑥𐑼 ·𐑕𐑳𐑯𐑛𐑱 𐑭𐑓𐑑𐑼𐑯𐑵𐑯 𐑤𐑲𐑒 𐑞𐑦𐑕, 𐑲 𐑮𐑦𐑥𐑧𐑥𐑚𐑼. 𐑨𐑟 𐑲 𐑤𐑫𐑒 𐑴𐑝𐑼 𐑞 𐑣𐑦𐑤𐑟 𐑥𐑳𐑗 𐑓𐑸𐑥𐑤𐑨𐑯𐑛 𐑮𐑦𐑥𐑱𐑯𐑟, 𐑯 𐑑 𐑞 ·𐑕𐑬𐑔 𐑞 𐑝𐑿 𐑦𐑟 𐑤𐑦𐑑𐑩𐑤 𐑛𐑦𐑓𐑼𐑩𐑯𐑑 𐑓𐑮𐑪𐑥 𐑢𐑪𐑑2 𐑞 𐑴𐑤𐑛 ·𐑛𐑱𐑤 𐑓𐑨𐑥𐑦𐑤𐑦 𐑥𐑳𐑕𐑑 𐑣𐑨𐑝 𐑕𐑰𐑯, 𐑦𐑒𐑕𐑧𐑐𐑑 𐑞𐑨𐑑 𐑥𐑹 𐑝 𐑞 𐑤𐑨𐑯𐑛 𐑦𐑟 𐑒𐑤𐑽𐑛 𐑝 𐑑𐑮𐑰𐑟, 𐑯 𐑦𐑑𐑕 𐑒𐑳𐑤𐑑𐑦𐑝𐑱𐑖𐑩𐑯 𐑖𐑴𐑟 𐑕𐑲𐑯𐑟 𐑝 𐑥𐑪𐑛𐑼𐑯 𐑓𐑸𐑥𐑦𐑙 𐑐𐑮𐑨𐑒𐑑𐑦𐑕. 𐑚𐑳𐑑 𐑦𐑯 𐑳𐑞𐑼 𐑛𐑦𐑮𐑧𐑒𐑖𐑩𐑯𐑟 𐑩 𐑐𐑬𐑼 𐑤𐑲𐑯 𐑒𐑳𐑑𐑕 𐑩𐑒𐑮𐑪𐑕 𐑞 𐑣𐑦𐑤𐑟; 𐑯 𐑬𐑼 𐑜𐑮𐑱𐑑 𐑕𐑐𐑮𐑷𐑤𐑦𐑙 ·𐑿𐑯𐑦𐑝𐑻𐑕𐑦𐑑𐑦 𐑕𐑑𐑮𐑧𐑗𐑩𐑟 𐑦𐑯 𐑩 𐑢𐑲𐑛 𐑸𐑒 — 𐑞 𐑕𐑑𐑱𐑛𐑾𐑥, 𐑞 𐑯𐑿 𐑛𐑹𐑥𐑦𐑑𐑼𐑦𐑟 𐑱𐑑 𐑹 𐑑𐑧𐑯 𐑕𐑑𐑹𐑦𐑟 𐑣𐑲, 𐑩 𐑚𐑳𐑤𐑡𐑦𐑙 𐑯𐑿 𐑢𐑷𐑑𐑼 𐑑𐑬𐑼 𐑢𐑦𐑗8 𐑞𐑦𐑕 𐑛𐑦𐑕𐑐𐑨𐑮𐑦𐑡𐑦𐑙 𐑘𐑳𐑙𐑜𐑼9 𐑡𐑧𐑯𐑼𐑱𐑖𐑩𐑯 𐑣𐑨𐑟 𐑛𐑳𐑚𐑛 ‘𐑞 𐑐𐑮𐑧𐑜𐑯𐑩𐑯𐑑 𐑤𐑪𐑤𐑦𐑐𐑪𐑐’, 𐑯 𐑬𐑼 𐑴𐑤𐑛𐑼 𐑚𐑦𐑤𐑛𐑦𐑙𐑟 𐑒𐑤𐑳𐑕𐑑𐑼𐑛 𐑼𐑬𐑯𐑛 𐑞 𐑑𐑬𐑼 𐑝 ‘𐑴𐑤𐑛 ·𐑥𐑱𐑯’, 𐑞 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑒𐑨𐑥𐑐𐑩𐑕 𐑚𐑦𐑤𐑛𐑦𐑙.

𐑥𐑴𐑕𐑑 𐑮𐑧𐑟𐑦𐑛𐑩𐑯𐑑𐑕 𐑝 𐑬𐑼 𐑝𐑦𐑤𐑦𐑡 𐑯𐑴 𐑞𐑦𐑕 𐑕𐑧𐑥𐑩𐑑𐑼𐑦1, 𐑚𐑳𐑑 𐑕𐑴 𐑓𐑸 𐑨𐑟 𐑲 𐑮𐑦𐑒𐑷𐑤, 𐑲 𐑣𐑨𐑛 𐑯𐑧𐑝𐑼 𐑥𐑧𐑑 𐑧𐑯𐑦𐑢𐑳𐑯 𐑳𐑐 𐑣𐑽. 𐑦𐑓 𐑞 𐑺𐑾 𐑒𐑰𐑐𐑕 𐑪𐑯 𐑜𐑮𐑴𐑦𐑙 𐑨𐑟 𐑦𐑑 𐑣𐑨𐑟 𐑛𐑳𐑯, 𐑚𐑦𐑤𐑛𐑦𐑙 𐑤𐑪𐑑𐑕 𐑢𐑦𐑤 𐑒𐑩𐑯𐑑𐑦𐑯𐑿 𐑑 𐑚𐑰 𐑐𐑸𐑕𐑩𐑤𐑛 𐑳𐑐 𐑴𐑝𐑼 𐑞 𐑥𐑬𐑯𐑑𐑩𐑯𐑕𐑲𐑛 𐑩𐑯𐑑𐑦𐑤 𐑞 𐑴𐑤𐑛 𐑑𐑵𐑥𐑕𐑑𐑴𐑯𐑟10 𐑸 𐑦𐑯 𐑕𐑳𐑥𐑚𐑪𐑛𐑦’𐑟 𐑚𐑨𐑒-𐑘𐑸𐑛11. 𐑕𐑴 𐑓𐑸, 𐑦𐑑 𐑣𐑨𐑟 𐑩 𐑯𐑲𐑕 𐑓𐑰𐑤𐑦𐑙 𐑝 𐑲𐑕𐑩𐑤𐑱𐑖𐑩𐑯. 𐑲 𐑓𐑲𐑯𐑛 𐑲 𐑯𐑰𐑛 𐑩𐑯 𐑨𐑑𐑥𐑩𐑕𐑓𐑽 𐑝 𐑞𐑦𐑕 𐑕𐑹𐑑 𐑯𐑬 𐑯 𐑞𐑧𐑯.

𐑞 𐑣𐑦𐑕𐑑𐑹𐑾𐑯 ·𐑸𐑯𐑩𐑤𐑛 𐑑𐑶𐑯𐑚𐑰12 𐑯𐑴𐑑𐑕 𐑞𐑨𐑑 ‘𐑢𐑦𐑞𐑛𐑮𐑷𐑩𐑤 𐑯 𐑮𐑦𐑑𐑻𐑯’ 𐑦𐑟 𐑢𐑳𐑯 𐑝 𐑞 𐑮𐑦𐑞𐑩𐑥𐑟 𐑝 𐑣𐑦𐑕𐑑𐑼𐑦. 𐑑𐑩𐑛𐑱13, ‘𐑮𐑦𐑑𐑻𐑯’ — 𐑑 𐑤𐑲𐑓’𐑕 𐑚𐑦𐑟𐑯𐑩𐑕 — 𐑦𐑟 𐑷𐑤 𐑑𐑵 𐑕𐑻𐑑𐑩𐑯: 𐑑𐑲𐑥 𐑯 𐑐𐑤𐑱𐑕 𐑓 ‘𐑢𐑦𐑞𐑛𐑮𐑷𐑩𐑤’ 𐑦𐑟 𐑞 𐑐𐑮𐑪𐑚𐑤𐑩𐑥 𐑯𐑬. 𐑦𐑯 𐑞𐑨𐑑, 𐑨𐑑 𐑤𐑰𐑕𐑑, 𐑞 ·𐑛𐑱𐑤𐑟 𐑢𐑻 𐑤𐑳𐑒𐑦.

  1. ‘𐑕𐑧𐑥𐑩𐑑𐑮𐑦’ ↩︎ ↩︎ ↩︎ ↩︎

  2. ‘𐑣𐑢𐑪𐑑’ ↩︎ ↩︎

  3. ‘𐑑𐑫𐑢𐑹𐑛’ ↩︎

  4. Lemont. A historic village in Centre County, Pennsylvania, located just adjacent to State College (Penn State University) and about ten miles from Bellefonte. ↩︎

  5. ‘𐑪𐑒𐑘𐑫𐑐𐑲𐑛’ ↩︎

  6. ‘𐑣𐑢𐑧𐑯’ ↩︎

  7. 𐑲 𐑣𐑨𐑝 𐑮𐑦𐑑𐑱𐑯𐑛 𐑞𐑦𐑕 𐑕𐑐𐑧𐑤𐑦𐑙 𐑚𐑦𐑒𐑪𐑟 𐑦𐑑 𐑮𐑦𐑓𐑤𐑧𐑒𐑑𐑕 𐑞 𐑡𐑧𐑯𐑼𐑩𐑤 ·𐑩𐑥𐑧𐑮𐑦𐑒𐑩𐑯 𐑛𐑲𐑩𐑤𐑧𐑒𐑑, 𐑯 ·𐑮𐑰𐑛 𐑒𐑤𐑽𐑤𐑦 𐑤𐑧𐑓𐑑 𐑦𐑑 𐑳𐑯𐑧𐑛𐑦𐑑𐑩𐑛. ↩︎

  8. ‘𐑣𐑢𐑦𐑗’ ↩︎

  9. ‘𐑘𐑳𐑙𐑼’ ↩︎

  10. 𐑣𐑽 𐑞𐑺 𐑦𐑟 𐑩 𐑒𐑤𐑽 𐑥𐑦𐑕𐑕𐑐𐑧𐑤𐑦𐑙: ‘𐑑𐑵𐑥𐑕𐑐𐑴𐑯𐑟’ ↩︎

  11. 𐑞𐑦𐑕 𐑦𐑟 𐑩 𐑒𐑘𐑫𐑼𐑾𐑕 𐑕𐑐𐑧𐑤𐑦𐑙 𐑢𐑦𐑗 𐑥𐑱 𐑦𐑯𐑛𐑦𐑒𐑱𐑑 𐑞 𐑲𐑛𐑾 𐑝 𐑩 ‘𐑚𐑨𐑒𐑘𐑸𐑛’ 𐑣𐑨𐑛 𐑘𐑧𐑑 𐑑 𐑚𐑰 𐑒𐑶𐑯𐑛 (𐑯𐑴 𐑛𐑬𐑑 𐑚𐑲 𐑮𐑾𐑤 𐑦𐑕𐑑𐑱𐑑 𐑨𐑛𐑝𐑼𐑑𐑲𐑟𐑦𐑙) ↩︎

  12. Arnold J. Toynbee (1889–1975) was a prominent British historian and philosopher of history, best known for his 12-volume masterpiece, A Study of History (1934–1961). In this monumental work, he analyzed the synthesis, growth, and decay of 28 major world civilizations, arguing that societies rise or fall based on their response to moral, social, and environmental challenges—a concept he framed through principles such as “challenge and response” and “withdrawal and return.” ↩︎

  13. ‘𐑑𐑫𐑛𐑱’ ↩︎

]]>Shaw-Script: Issue 1.1 - Introhttps://alexregan.com/nomadic-monotropism/shaw-script-issue-1-1-intro/Wed, 23 Sep 2026 08:00:00 +0000https://alexregan.com/nomadic-monotropism/shaw-script-issue-1-1-intro/<h2 id="𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼𐑟-𐑯𐑴𐑑">𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑</h2> <p>𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑰𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑕𐑹𐑕𐑑 𐑓𐑮𐑪𐑥 <a href="https://www.shavian.info/books/">https://www.shavian.info/books/</a>. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.</p> <p><a href="https://alexregan.com/docs/shavian/shaw-script-journal-issue-1.pdf">𐑞 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑦𐑖𐑵 𐑢𐑳𐑯 𐑒𐑨𐑯 𐑚𐑰 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑣𐑽.</a></p>𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑼’𐑟 𐑯𐑴𐑑

𐑞𐑰𐑟 𐑸 𐑥𐑲 𐑴𐑯 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑦𐑐𐑖𐑩𐑯𐑟 𐑝 𐑞 𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑡𐑻𐑯𐑩𐑤 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’, 𐑚𐑲 ·𐑮𐑪𐑯𐑩𐑤𐑛 𐑒𐑦𐑙𐑟𐑤𐑦 𐑮𐑰𐑛, 𐑞 𐑛𐑦𐑟𐑲𐑯𐑼 𐑝 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑨𐑤𐑓𐑩𐑚𐑧𐑑. 𐑞 𐑛𐑪𐑒𐑘𐑩𐑥𐑩𐑯𐑑𐑕 𐑢𐑻 𐑕𐑹𐑕𐑑 𐑓𐑮𐑪𐑥 https://www.shavian.info/books/. 𐑚𐑦𐑒𐑪𐑟 𐑞 𐑑𐑲𐑐𐑮𐑦𐑑𐑩𐑯 𐑕𐑒𐑨𐑯𐑟 𐑸 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑐𐑤𐑱𐑕𐑩𐑟, 𐑲 𐑨𐑥 𐑑𐑮𐑨𐑯𐑕𐑒𐑮𐑲𐑚𐑦𐑙 𐑯 𐑐𐑳𐑚𐑤𐑦𐑖𐑦𐑙 𐑞𐑧𐑥 𐑣𐑽 𐑦𐑯 𐑦𐑯𐑕𐑑𐑷𐑤𐑥𐑩𐑯𐑑𐑕 𐑨𐑟 𐑲 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑞𐑧𐑥. 𐑲 𐑣𐑴𐑐 𐑞𐑨𐑑 𐑞𐑱 𐑥𐑱 𐑦𐑯𐑒𐑮𐑰𐑕 𐑞 𐑩𐑒𐑕𐑧𐑕𐑩𐑚𐑦𐑤𐑦𐑑𐑦 𐑝 𐑞𐑰𐑟 𐑣𐑦𐑕𐑑𐑪𐑮𐑦𐑒 𐑮𐑧𐑒𐑹𐑛𐑟.

𐑞 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑦𐑖𐑵 𐑢𐑳𐑯 𐑒𐑨𐑯 𐑚𐑰 𐑛𐑬𐑯𐑤𐑴𐑛𐑩𐑛 𐑣𐑽.

·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑

𐑞 𐑦𐑥𐑑𐑪𐑕𐑩𐑚𐑩𐑤 𐑣𐑨𐑟 𐑚𐑰𐑕 𐑢𐑧𐑤 𐑛𐑦𐑓𐑲𐑕𐑛 𐑨𐑟 𐑟𐑨𐑑 𐑢𐑦𐑗 𐑑𐑱𐑒𐑕 𐑩 𐑤𐑦𐑑𐑩𐑤 𐑤𐑪𐑙𐑼 𐑞𐑨𐑯 𐑞 𐑐𐑪𐑕𐑩𐑚𐑩𐑤. 𐑲𐑑𐑰𐑯 𐑥𐑳𐑯𐑔𐑕 𐑩𐑜𐑴, ·𐑖𐑱𐑝𐑾𐑯 𐑢𐑪𐑟 ‘𐑦𐑥𐑐𐑪𐑕𐑩𐑚𐑩𐑤’. ‘𐑦𐑓 𐑿 𐑥𐑱𐑒 𐑘𐑫𐑼 𐑨𐑛𐑦𐑒𐑢𐑩𐑑 𐑨𐑤𐑓𐑩𐑚𐑧𐑑’, 𐑢𐑰 𐑢𐑻 𐑑𐑴𐑤𐑛, ‘𐑯𐑴-𐑢𐑳𐑯 𐑒𐑫𐑛 𐑤𐑳𐑤𐑯 𐑕𐑴 𐑥𐑧𐑯𐑦 𐑤𐑧𐑑𐑼𐑟: 𐑦𐑓 𐑿 𐑒𐑫𐑛 𐑤𐑲𐑑, 𐑯𐑴𐑚𐑩𐑛𐑦 𐑒𐑫𐑛 𐑮𐑰𐑛 𐑦𐑑: 𐑿 𐑒𐑫𐑛 𐑯𐑧𐑝𐑼 𐑐𐑮𐑦𐑯𐑑 𐑹 𐑑𐑱𐑐𐑮𐑲𐑑. 𐑯𐑴: ·𐑖𐑷 𐑥𐑳𐑕𐑑 𐑣𐑨𐑝 𐑚𐑰𐑯 𐑡𐑴𐑒𐑦𐑙’.

𐑯𐑬 𐑢𐑰 𐑒𐑨𐑯 𐑮𐑦𐑐𐑤𐑲 𐑞𐑨𐑑 𐑞𐑺 𐑦𐑟 𐑮𐑧𐑜𐑘𐑫𐑤𐑼 𐑦𐑓 𐑯𐑪𐑑 𐑦𐑒𐑕𐑑𐑧𐑯𐑕𐑦𐑝 𐑦𐑯𐑑𐑼𐑒𐑪𐑯𐑑𐑦𐑯𐑧𐑯𐑑𐑩𐑤 𐑒𐑪𐑮𐑩𐑕𐑐𐑪𐑯𐑛𐑩𐑯𐑕: 𐑞𐑨𐑑 53,000 𐑒𐑪𐑐𐑦𐑟 𐑝 ‘·𐑨𐑯𐑛𐑮𐑩𐑒𐑤𐑰𐑟 𐑯 𐑞 𐑤𐑲𐑩𐑯’ 𐑣𐑨𐑝 𐑚𐑰𐑯 𐑐𐑮𐑦𐑯𐑑𐑩𐑛 𐑦𐑯 ·𐑖𐑲𐑝𐑾𐑯: 𐑯 𐑞𐑦𐑕 ·𐑒𐑢𐑹𐑑𐑼𐑤𐑦 𐑦𐑟 𐑐𐑮𐑩𐑛𐑿𐑕𐑑 𐑪𐑯 𐑩 ·𐑖𐑱𐑝𐑾𐑯 𐑑𐑲𐑐𐑮𐑲𐑑𐑼. 𐑰𐑗 𐑕𐑑𐑧𐑐 𐑣𐑨𐑟 𐑑𐑲𐑒𐑩𐑯 𐑑𐑲𐑥, 𐑚𐑳𐑑 𐑢𐑰 𐑼𐑲𐑝𐑛. 𐑢𐑰 𐑯𐑴 𐑤𐑪𐑙𐑜𐑼 𐑛𐑰𐑤 𐑦𐑯 𐑔𐑽𐑦 𐑚𐑳𐑑 𐑦𐑯 𐑐𐑮𐑨𐑒𐑑𐑦𐑕.

𐑢𐑦𐑞 𐑞 ·𐑖𐑱𐑝𐑾𐑯 𐑐𐑹𐑑𐑩𐑚𐑩𐑤 𐑑𐑲𐑐𐑮𐑲𐑑𐑼 𐑢𐑰 𐑧𐑯𐑛 𐑬𐑼 𐑥𐑱𐑗𐑼 𐑑𐑧𐑒𐑯𐑦𐑒𐑩𐑤 𐑛𐑦𐑓𐑦𐑒𐑩𐑤𐑑𐑦𐑟. 𐑚𐑲 𐑦𐑑𐑕 𐑥𐑰𐑯𐑟 𐑢𐑰 𐑐𐑮𐑦𐑯𐑑 𐑩 𐑮𐑦𐑕𐑑𐑮𐑦𐑒𐑑𐑩𐑛 𐑦𐑖𐑵 𐑗𐑰𐑐𐑤𐑦, 𐑩𐑯𐑑𐑦𐑤 𐑕𐑳𐑚𐑕𐑒𐑮𐑲𐑚𐑼𐑟 𐑸 𐑯𐑳𐑥𐑚𐑼𐑛 𐑦𐑯 𐑔𐑬𐑟𐑩𐑯𐑛𐑟 𐑯 𐑤𐑧𐑑𐑼𐑐𐑮𐑧𐑕 𐑚𐑦𐑒𐑳𐑥𐑟 𐑰𐑒𐑩𐑯𐑪𐑥𐑦𐑒. 𐑞𐑧𐑯 𐑢𐑰 𐑒𐑨𐑯 𐑷𐑤𐑕𐑴 𐑤𐑫𐑒 𐑓𐑹𐑢𐑼𐑛 𐑑 𐑥𐑹 𐑞𐑨𐑯 𐑬𐑼 𐑐𐑮𐑧𐑟𐑩𐑕𐑑 16 𐑐𐑱𐑗𐑩𐑟.

𐑒𐑪𐑮𐑩𐑕𐑐𐑪𐑯𐑛𐑩𐑯𐑑𐑕 𐑧𐑝𐑮𐑦𐑢𐑺 𐑣𐑨𐑝 𐑛𐑦𐑥𐑭𐑯𐑛𐑩𐑛 𐑕𐑳𐑗 𐑩 𐑡𐑻𐑯𐑩𐑤. 𐑦𐑑 𐑖𐑫𐑛 𐑣𐑨𐑝 𐑩 𐑿𐑯𐑦𐑓𐑲𐑦𐑙 𐑦𐑯𐑓𐑤𐑫𐑩𐑯𐑕. 𐑢𐑳𐑯 𐑮𐑲𐑑𐑼 𐑜𐑮𐑰𐑑𐑕 𐑦𐑑 𐑨𐑟 ‘𐑩 𐑑𐑼𐑦𐑓𐑦𐑒 𐑥𐑼𐑭𐑤-𐑚𐑵𐑕𐑑𐑼’, 𐑩𐑤𐑬𐑦𐑙 ·𐑧𐑝𐑼-𐑕𐑻𐑒𐑢𐑫𐑤𐑱𐑑𐑼𐑟 𐑑 𐑤𐑫𐑒 𐑚𐑦𐑘𐑪𐑯𐑛 𐑞𐑺 𐑴𐑯 𐑕𐑥𐑷𐑤 ·𐑜𐑮𐑵𐑐 𐑯 𐑑 𐑤𐑻𐑯 𐑢𐑪𐑑 𐑦𐑟 𐑩𐑓𐑫𐑑 𐑧𐑤𐑕𐑢𐑺 𐑦𐑯 𐑞 𐑢𐑻𐑤𐑛. 𐑑 𐑮𐑰𐑛 𐑦𐑯 𐑑𐑲𐑐, 𐑨𐑟 𐑢𐑧𐑤 𐑨𐑟 𐑦𐑯 𐑣𐑨𐑯𐑛𐑮𐑲𐑑𐑦𐑙, 𐑦𐑟 𐑦𐑯𐑐𐑹𐑑𐑩𐑯𐑑 𐑯 𐑦𐑯𐑒𐑻𐑦𐑡𐑦𐑙, 𐑦𐑕𐑐𐑧𐑖𐑩𐑤𐑦 𐑑 𐑤𐑴𐑯 𐑿𐑟𐑼𐑟 𐑝 ·𐑖𐑱𐑝𐑾𐑯 𐑣𐑵𐑟 𐑲𐑕𐑩𐑤𐑱𐑖𐑩𐑯 𐑒𐑨𐑯 𐑚𐑰 𐑴𐑝𐑼𐑒𐑳𐑥 𐑚𐑲 𐑮𐑰𐑛𐑦𐑙 ‘·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑.’

𐑚𐑦𐑓𐑹 𐑒𐑩𐑯𐑜𐑮𐑨𐑑𐑘𐑫𐑤𐑱𐑑𐑦𐑙 𐑞𐑧𐑥𐑕𐑧𐑤𐑝𐑟 𐑳𐑯𐑛𐑿𐑤𐑦 𐑨𐑟 ·𐑓𐑬𐑯𐑛𐑼 ·𐑓𐑭𐑞𐑼𐑟 𐑝 ·𐑖𐑱𐑝𐑾𐑯, 𐑦𐑑𐑕 𐑿𐑟𐑼𐑟 𐑥𐑳𐑕𐑑 𐑕𐑧𐑑 𐑩𐑝𐑬𐑑 𐑩 𐑕𐑧𐑒𐑩𐑯𐑛 𐑕𐑑𐑧𐑐 𐑓𐑹𐑢𐑼𐑛. 𐑣𐑨𐑝𐑦𐑙 𐑩𐑛𐑝𐑭𐑯𐑕𐑑 𐑯𐑮𐑪𐑥 𐑔𐑽𐑦 𐑑 𐑐𐑮𐑨𐑒𐑑𐑦𐑕, 𐑢𐑰 𐑥𐑳𐑕𐑑 𐑯𐑬 𐑦𐑯𐑑𐑼𐑧𐑕𐑑 𐑳𐑞𐑼𐑟: 𐑢𐑰 𐑥𐑳𐑕𐑑 𐑦𐑒𐑕𐑐𐑨𐑯𐑛.

‘𐑰𐑗 𐑢𐑳𐑯, 𐑑𐑰𐑗 𐑢𐑳𐑯’, 𐑣𐑨𐑟 𐑚𐑰𐑯 𐑐𐑮𐑩𐑒𐑤𐑱𐑥𐑛 𐑨𐑟 𐑬𐑼 𐑥𐑪𐑑𐑴: 𐑯𐑐𐑮𐑩𐑝𐑲𐑛𐑩𐑛 𐑢𐑰 𐑑𐑱𐑒 𐑹 𐑥𐑱𐑒 𐑪𐑐𐑼𐑑𐑿𐑯𐑦𐑑𐑦𐑟 𐑪𐑓𐑩𐑯, 𐑯𐑪𐑑 𐑒𐑩𐑯𐑑𐑧𐑯𐑑 𐑢𐑦𐑞 𐑢𐑳𐑯𐑕, 𐑦𐑑 𐑦𐑟 𐑩 𐑥𐑪𐑑𐑴 𐑣𐑸𐑛 𐑑 𐑚𐑰𐑑. 𐑞𐑨𐑑 𐑷𐑤𐑕𐑴 𐑣𐑨𐑟 𐑑 𐑚𐑰 𐑑𐑻𐑯𐑛 𐑦𐑯𐑑𐑫 𐑑𐑮𐑨𐑒𐑑𐑦𐑕. 𐑦𐑑 𐑦𐑟 𐑰𐑟𐑦𐑤𐑦, 𐑰𐑝𐑩𐑕 𐑒𐑺𐑤𐑩𐑕𐑤𐑦 𐑢𐑳𐑯: 𐑤𐑰𐑝 𐑘𐑫𐑼 𐑮𐑲𐑑𐑦𐑙 𐑹 𐑞𐑦𐑕 𐑡𐑻𐑯𐑩𐑤 𐑢𐑺 𐑦𐑑 𐑣𐑨𐑐𐑩𐑯𐑟 𐑑 𐑚𐑰 𐑕𐑰𐑯, 𐑯 𐑦𐑯𐑒𐑢𐑲𐑼𐑦𐑟 𐑓𐑪𐑤𐑴. 𐑧𐑝𐑮𐑦𐑢𐑳𐑯 𐑦𐑟 𐑦𐑯𐑑𐑮𐑰𐑜𐑛: 𐑕𐑳𐑥 𐑭𐑕𐑒 𐑑 𐑯𐑴 𐑥𐑹. 𐑿 𐑣𐑨𐑝 𐑛𐑿𐑐𐑤𐑦𐑒𐑩𐑑 𐑨𐑤𐑓𐑩𐑚𐑧𐑑𐑕 𐑦𐑯 ·𐑨𐑯𐑛𐑮𐑩𐑒𐑤𐑰𐑟: 𐑤𐑧𐑯𐑛 𐑢𐑳𐑯. 𐑦𐑓 𐑦𐑑 𐑦𐑟 𐑕𐑱𐑓, 𐑤𐑧𐑯𐑛 𐑞 𐑚𐑫𐑒. 𐑢𐑱𐑑 𐑚𐑦𐑜𐑦𐑯𐑟 𐑨𐑟 𐑒𐑘𐑫𐑼𐑦𐑪𐑕𐑦𐑑𐑦 𐑑𐑧𐑯𐑛𐑟 𐑑 𐑧𐑯𐑛 𐑦𐑯 𐑓𐑨𐑕𐑦𐑯𐑱𐑖𐑩𐑯.

‘SHAW-SCRIPT’, 𐑬𐑼 𐑑𐑲𐑑𐑩𐑤, 𐑦𐑟 𐑞 𐑣𐑨𐑐𐑦 𐑦𐑯𐑕𐑐𐑼𐑱𐑖𐑩𐑯 𐑝 ·𐑒𐑨𐑯𐑩𐑯 𐑣𐑿 𐑒𐑨𐑕𐑩𐑯1. 𐑯𐑴𐑑 𐑞𐑨𐑑 𐑑 𐑮𐑲𐑑 𐑦𐑯 ·𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑 𐑒𐑨𐑯 𐑴𐑯𐑤𐑦 𐑥𐑰𐑯 𐑑 𐑒𐑩𐑯𐑑𐑮𐑦𐑚𐑿𐑑 [𐑦𐑯 ·𐑖𐑱𐑝𐑾𐑯] 𐑑 𐑞𐑦𐑕 𐑡𐑻𐑯𐑩𐑤.

CONTRIBUTIONS [𐑝 400 𐑑 1400 𐑢𐑻𐑛𐑟 𐑖𐑫𐑛 𐑚𐑰 𐑥𐑸𐑒𐑑 ‘𐑖𐑷-𐑕𐑒𐑮𐑦𐑐𐑑’ 𐑯 𐑕𐑧𐑯𐑑 𐑑: [KINGSLEY READ, ABBOTS MORTON, WORCESTER, ENGLAND]. 𐑓 𐑮𐑦𐑑𐑻𐑯, 𐑐𐑤𐑰𐑟 𐑦𐑯𐑒𐑤𐑴𐑟 𐑐𐑴𐑕𐑑𐑦𐑡 𐑯 𐑧𐑯𐑝𐑩𐑤𐑴𐑐.] ·𐑜𐑮𐑵𐑐 𐑤𐑧𐑑𐑼𐑟 𐑝 𐑢𐑲𐑛 𐑦𐑯𐑳𐑓 𐑦𐑯𐑑𐑼𐑧𐑕𐑑 𐑥𐑱 𐑚𐑰 𐑐𐑮𐑦𐑯𐑑𐑩𐑛 𐑦𐑓 𐑕𐑐𐑱𐑕 𐑩𐑤𐑬𐑟. 𐑣𐑭𐑓 𐑬𐑼 𐑐𐑮𐑧𐑟𐑩𐑯𐑑 𐑸𐑑𐑦𐑒𐑩𐑤𐑟 𐑼𐑦𐑡𐑦𐑯𐑱𐑑𐑩𐑛 𐑦𐑯 𐑞𐑦𐑕 𐑢𐑱, 𐑖𐑴𐑦𐑙 𐑢𐑪𐑑 𐑦𐑯𐑑𐑼𐑧𐑕𐑑 𐑦𐑟 𐑑 𐑚𐑰 𐑓𐑬𐑯𐑛 𐑦𐑯 ·𐑜𐑮𐑵𐑐 𐑢𐑻𐑒.

ENQUIRIES 𐑩𐑚𐑬𐑑 ·𐑜𐑮𐑵𐑐 𐑕𐑻𐑒𐑘𐑫𐑤𐑱𐑖𐑩𐑯: 𐑑 𐑕𐑱𐑥 𐑩𐑛𐑮𐑧𐑕. 𐑮𐑲𐑑 𐑦𐑯 ·𐑖𐑱𐑝𐑾𐑯, 𐑕𐑑𐑱𐑑𐑦𐑙 𐑱𐑡-𐑜𐑮𐑵𐑐 𐑯 𐑥𐑿𐑑𐑫𐑩𐑤 𐑦𐑯𐑑𐑼𐑧𐑕𐑑𐑕 𐑐𐑮𐑦𐑓𐑻𐑛.

A GUIDE, 𐑑 𐑐𐑮𐑦𐑯𐑕𐑦𐑐𐑩𐑤𐑟 𐑝 𐑕𐑐𐑧𐑤𐑦𐑙, 𐑩𐑚𐑮𐑰𐑝𐑦𐑱𐑖𐑩𐑯𐑟, 𐑯 𐑐𐑧𐑯𐑥𐑩𐑯𐑖𐑦𐑐, 𐑦𐑟 𐑕𐑧𐑯𐑑 𐑚𐑲 𐑕𐑻𐑓𐑩𐑕 𐑥𐑱𐑤, 𐑪𐑯 𐑤𐑦𐑕𐑰𐑑 𐑝 ·𐑥𐑳𐑯𐑦 𐑹𐑛𐑼 𐑓 1/6, 𐑢𐑳𐑯 𐑖𐑦𐑤𐑦𐑙 𐑯 𐑕𐑦𐑒𐑕𐑐𐑩𐑯𐑕.

SPELLING 𐑐𐑮𐑪𐑚𐑤𐑩𐑥𐑟, 𐑦𐑓 𐑝 𐑢𐑱𐑛 𐑦𐑯𐑑𐑼𐑧𐑕𐑑 𐑯 𐑳𐑯𐑕𐑪𐑤𐑝𐑛 𐑦𐑯 𐑞 GUIDE, 𐑥𐑱 𐑚𐑰 𐑕𐑳𐑥𐑼𐑲𐑟𐑛 𐑦𐑯 𐑓𐑿𐑗𐑼 𐑦𐑖𐑵𐑟, 𐑞𐑴 𐑞𐑱 𐑒𐑨𐑯 𐑕𐑧𐑤𐑛𐑩𐑥 𐑚𐑰 𐑭𐑯𐑕𐑼𐑛 𐑚𐑲 𐑐𐑴𐑕𐑑. 𐑩𐑯 𐑦𐑯𐑑𐑼-𐑒𐑪𐑯𐑑𐑦𐑯𐑧𐑯𐑑𐑩𐑤 𐑕𐑐𐑧𐑤𐑦𐑙 𐑚𐑦𐑒𐑳𐑥𐑟 𐑐𐑪𐑕𐑩𐑚𐑩𐑤 𐑔𐑮𐑵 𐑕𐑑𐑳𐑛𐑦 𐑝 𐑞 GUIDE.

WORD-SIGNS: 𐑘𐑰 𐑐𐑮𐑩𐑕𐑰𐑛 𐑒𐑷𐑖𐑩𐑕𐑤𐑦. 𐑒𐑪𐑥𐑧𐑯𐑑 𐑦𐑟 𐑦𐑥𐑝𐑲𐑑𐑩𐑛 𐑪𐑯 𐑩 𐑝𐑨𐑤𐑘𐑫𐑩𐑚𐑦𐑤 𐑛𐑦𐑕𐑑𐑦𐑙𐑒𐑖𐑩𐑯 𐑚𐑦𐑑𐑢𐑰𐑯 ‘𐑞𐑨𐑑’ [𐑛𐑦𐑥𐑪𐑯𐑕𐑑𐑮𐑩𐑑𐑦𐑝] 𐑯 ‘𐑞𐑑’ [𐑥𐑽𐑤𐑦 𐑒𐑩𐑯𐑡𐑳𐑙𐑒𐑑𐑦𐑝]. ‘𐑞𐑑’ 𐑦𐑟 𐑰𐑒𐑩𐑯𐑪𐑥𐑦𐑒: 𐑯 𐑦𐑑 𐑦𐑟 𐑯𐑴 𐑝𐑲𐑩𐑤𐑱𐑖𐑩𐑯 𐑝 𐑬𐑼 𐑢𐑻𐑒𐑦𐑙-𐑮𐑵𐑤, 𐑞𐑨𐑑 𐑧𐑯𐑦 𐑚𐑬𐑩𐑤 𐑿𐑟𐑛 𐑦𐑯 𐑢𐑳𐑯-𐑕𐑦𐑤𐑩𐑚𐑩𐑤 𐑢𐑻𐑛𐑟 𐑦𐑟 𐑑 𐑚𐑰 𐑕𐑐𐑧𐑤𐑑 𐑨𐑟 𐑦𐑓 𐑕𐑑𐑮𐑧𐑕𐑑. [𐑕𐑰 𐑸𐑑𐑦𐑒𐑩𐑤: BERMUDA]. 𐑢𐑰 𐑩𐑛𐑪𐑐𐑑 𐑔𐑮𐑵𐑬𐑑 𐑞 𐑕𐑦𐑙𐑜𐑩𐑤-𐑤𐑧𐑑𐑼 𐑕𐑲𐑯 [𐑓] 𐑥𐑰𐑯𐑦𐑙 FOR. 𐑞𐑦𐑕 𐑦𐑟 𐑢𐑲𐑛𐑤𐑦 𐑿𐑟𐑛: 𐑦𐑑 𐑤𐑦𐑥𐑦𐑑𐑕 𐑞 𐑥𐑰𐑯𐑦𐑙 𐑝 ‘𐑓𐑹’ 𐑑 FOUR 𐑹 FORE: 𐑦𐑑 𐑣𐑧𐑤𐑐𐑕 𐑳𐑕 𐑑 𐑮𐑰𐑛 𐑳𐑯𐑣𐑧𐑟𐑦𐑑𐑩𐑯𐑑𐑤𐑦:—’𐑓 𐑓𐑹 𐑝 𐑳𐑕, 𐑓𐑹 𐑓 𐑿, 𐑢𐑱𐑑 𐑓?’—𐑨𐑟 𐑢𐑰 𐑸 𐑩𐑒𐑳𐑕𐑑𐑩𐑥𐑛 𐑑 𐑮𐑰𐑛𐑦𐑙 :—’𐑑 𐑑𐑵 𐑝 𐑳𐑕, 𐑑𐑵 𐑑 𐑿, 𐑢𐑺 𐑑?’

ALTERNATIVES: 𐑷𐑔𐑼𐑟 𐑢𐑦𐑤 𐑗𐑵𐑟 𐑓 𐑞𐑧𐑥𐑕𐑧𐑤𐑝𐑟 𐑚𐑦𐑑𐑢𐑰𐑯 ‘𐑢𐑪𐑑,𐑢𐑺’ 𐑯 ‘𐑢𐑪𐑑,𐑢𐑺’: 𐑷𐑤𐑕𐑴 𐑚𐑦𐑑𐑢𐑰𐑯 ‘𐑷𐑕𐑒,𐑤𐑷𐑕𐑑’ 𐑯 ‘𐑨𐑕𐑒,𐑤𐑨𐑕𐑑’. 𐑞𐑰𐑟 𐑸 𐑷𐑤𐑑𐑼𐑯𐑩𐑑𐑦𐑝𐑟 𐑮𐑧𐑒𐑩𐑜𐑯𐑲𐑟𐑛 𐑦𐑯 𐑞 GUIDE. 𐑪𐑯 𐑐𐑶𐑯𐑑𐑕 𐑕𐑴 𐑕𐑱𐑒𐑮𐑩𐑛, 𐑢𐑰 𐑝𐑧𐑯𐑗𐑼 𐑯𐑴 𐑝𐑿𐑟: 𐑢𐑰 𐑸 𐑳𐑯𐑱𐑝𐑩𐑤 𐑑 𐑕𐑰 𐑣𐑧𐑮𐑩𐑕𐑦 𐑦𐑯 𐑩 𐑗𐑶𐑕 𐑛𐑦𐑓𐑼𐑦𐑙 𐑓𐑮𐑪𐑥 𐑬𐑼 𐑴𐑯. 𐑦𐑓 𐑧𐑤𐑕𐑢𐑺 𐑞 𐑧𐑛𐑦𐑑𐑹𐑾𐑤 𐑐𐑧𐑯 𐑩𐑥𐑧𐑯𐑛𐑟 𐑕𐑐𐑧𐑤𐑦𐑙𐑟 𐑐𐑮𐑧𐑖𐑩𐑕 𐑑 𐑩𐑯 𐑷𐑔𐑼, 𐑦𐑑 𐑦𐑟 𐑯𐑪𐑑 𐑑 𐑚𐑰 𐑛𐑪𐑜𐑥𐑨𐑑𐑦𐑒, 𐑚𐑳𐑑 𐑴𐑯𐑤𐑦 𐑑 𐑕𐑦𐑒𐑘𐑫𐑼 𐑞𐑨𐑑 𐑮𐑰𐑛𐑼𐑟 𐑸 𐑯𐑪𐑑 𐑒𐑩𐑯𐑓𐑿𐑟𐑛 𐑢𐑦𐑞 𐑑𐑵 𐑥𐑧𐑯𐑦 𐑷𐑤𐑑𐑻𐑯𐑩𐑑𐑦𐑝𐑟. 𐑓 𐑐𐑘𐑫𐑼 𐑧𐑮𐑼𐑟 𐑢𐑰 𐑒𐑨𐑯 𐑴𐑯𐑤𐑦 𐑷𐑕𐑒 𐑦𐑯𐑛𐑳𐑤𐑡𐑩𐑯𐑕.

THE TYPEWRITER 𐑮𐑦𐑛𐑿𐑕𐑩𐑟 𐑬𐑼 𐑨𐑤𐑓𐑩𐑚𐑧𐑑 𐑑 43 𐑤𐑧𐑑𐑼𐑟. 𐑐𐑮𐑦𐑯𐑑𐑼𐑟’·𐑒𐑪𐑥𐑐𐑬𐑯𐑛𐑟, 𐑝 𐑝𐑬𐑩𐑤 𐑡𐑶𐑯𐑛 𐑑 𐑒𐑪𐑯𐑕𐑩𐑯𐑩𐑯𐑑, 𐑢𐑫𐑛 𐑚𐑰 𐑕𐑽𐑾𐑕𐑤𐑦 𐑒𐑮𐑨𐑥𐑐𐑑 𐑩𐑯𐑤𐑧𐑕 𐑑𐑲𐑐𐑑 𐑨𐑟 𐑑𐑵 𐑕𐑧𐑐𐑼𐑩𐑑 𐑤𐑧𐑑𐑼𐑟. 𐑞𐑦𐑕 𐑥𐑩𐑖𐑰𐑯 𐑦𐑟 𐑩𐑚𐑑𐑱𐑯𐑩𐑚𐑩𐑤, 𐑨𐑑 𐑯𐑹𐑥𐑩𐑤 𐑐𐑮𐑲𐑕, 𐑓𐑮𐑪𐑥: IMPERIAL TYPEWRITER CO, EAST PARK RD., LEICESTER, ENGLAND.

  1. Canon Hugh Casson (d. c. 1963) was an Anglican clergyman (a Rev. and later Canon in the Church of England) who was one of the earliest and most passionate advocates for the Shavian alphabet. Casson originally conceived the idea for a dedicated periodical to test the script’s real-world legibility and provided its title, Shaw-script. Demonstrating an extraordinary commitment to the cause, Casson paid ÂŁ29 out of pocket — a considerable sum in 1962 — to commission the second custom Shavian typewriter ever manufactured by the Imperial Typewriter Company of Leicester (Kingsley Read held the first). Casson contributed to the inaugural issue of Shaw-script, but his sudden death in a road accident shortly after receiving his custom machine deprived the early Shavian movement of its most active co-pioneer, leaving Read to manage and type the publication alone. ↩︎

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